On February 23, 2005, the song "Koyal Bai Sidh Chaliya" was released by Sugna Devi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sugna Devi's "Koyal Bai Sidh Chali" album is number 18 out of 22. On top of that, France appears to be the country where this track was created. Based on our statistics, Koyal Bai Sidh Chaliya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Koyal Bai Sidh Chaliya by Sugna Devi to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kurti Resham Ki | Minakshi Rathore, Milan Shaktawat | F Major | 7 | 7B | 164 BPM | ||
| Meli Chadar Odh Ke | Niranjan Pandya | C Major | 8 | 8B | 91 BPM | ||
| Ekli Mat Jaiyo | Sohan Lal | G Minor | 6 | 6A | 134 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| Shilvant Sadhu Ne Vare Vare Namiye | Niranjan Pandya | G Minor | 4 | 6A | 138 BPM | ||
| Mat Pita Ne Vandan | Hemant Chauhan | F♯ Major | 4 | 2B | 95 BPM | ||
| Aaj Mhare Himaadu | Geeta Goswami | G Major | 9 | 9B | 190 BPM | ||
| Kale Ghaghre Wali E | Sugna Devi | F♯ Major | 6 | 2B | 113 BPM | ||
| De Gyo Nishani | Bhanwar Ali | D Major | 9 | 10B | 102 BPM | ||
| Aari Jari E Thare Bani Re Hat | Sugna Devi | E Major | 8 | 12B | 119 BPM | ||
| Koi Re Batao Jogi Aawato | Prem Nath | F♯ Minor | 9 | 11A | 85 BPM | ||
| Hoan Tumri Karo Nit Aas ¬ Bhai Maninder Singh Ji | Bhai Maninder Singh Ji Hazuri Ragi, North Kirtan Studio | D Major | 5 | 10B | 154 BPM | ||
| Doda Mat Pidakariya | Sugna Devi, Khatu Devi, Hemnath Mathura Devi | F Major | 9 | 7B | 92 BPM | ||
| Manva Ro Pyalo | Ramlal Babar, Khatu Devi, Champe Khan, Ratan Podwal | B Minor | 7 | 10A | 101 BPM | ||
| Ghayal Ne Su Thay Che | Gopal Sadhu | F Minor | 5 | 4A | 110 BPM | ||
| Lagani Laagi Mara Ram Ni | Jamunaben Godaliya | A♭ Major | 5 | 4B | 110 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| Mehandi Rang Lago | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| Dhora Mathe Jhopdi | Sugna Devi | B Major | 9 | 1B | 154 BPM | ||
| Sosan Sukai Saiya | JaiSingh Raja, Rani Kushwaha | F♯ Major | 9 | 2B | 103 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Jija Ji Jaro Lage | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Malve Thi Pothu Halyu Re | Bhikhudan Gadhvi | E♭ Minor | 6 | 2A | 136 BPM | ||
| Bhanvar Mhane Garmi | Champe Khan | B Major | 7 | 1B | 98 BPM | ||
| Chalo Chalo Runecha | Rafiq Sagar | B Major | 7 | 1B | 83 BPM |