Various World Reknowed Orchestras And Conductors's 'Dance of the Sugar Plum Fairy' had a release date set for January 1, 2006. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. In terms of popularity, Dance of the Sugar Plum Fairy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance of the Sugar Plum Fairy by Various World Reknowed Orchestras And Conductors is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italienische": IV. Saltarello. Presto | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Major | 0 | 9B | 64 BPM | ||
| La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 78 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | ||
| Le Corsaire: Act I - "2. Q’azbah, Entrance: Lan’khadam's Slave Girls" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | G Major | 1 | 9B | 113 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Nicolai: The Merry Wives of Windsor: Overture | Otto Nicolai, Wilhelm Furtwängler, Wiener Philharmoniker | G Minor | 4 | 6A | 139 BPM | ||
| Faust, Act II - Waltz | Wiener Symphoniker, Willi Boskovsky | E♭ Major | 2 | 5B | 148 BPM | ||
| La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
| La Bella Durmiente Adagio | Orquestra Sinfonica De Radio Praga | E♭ Major | 1 | 5B | 60 BPM | ||
| Habanera from Carmen | Various World Reknowed Orchestras And Conductors | D Major | 0 | 10B | 109 BPM | ||
| Ritter Pásmán, Op. 441: Csárdás | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | B Minor | 2 | 10A | 167 BPM | ||
| Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
| The Sleeping Beauty, Op. 66 : Valse | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 2 | 6B | 100 BPM | ||
| Tom’s Midnight Garden Suite | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | C Minor | 1 | 5A | 95 BPM | ||
| New World Symphony | Various World Reknowed Orchestras And Conductors | D♭ Major | 0 | 3B | 65 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Emlek Nogradi (Souvenir of Nograd) | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | A Major | 1 | 11B | 95 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| Opening Waltz (Onegin Ballet Suite No 13) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A Major | 1 | 11B | 101 BPM |