- BPM
- 171
- Key
- F Major
- Camelot
- 7B
Silent, alone by Don Walker, Ann Moss, Karen Rosenak Song Details
"Silent, alone" by Don Walker, Ann Moss, Karen Rosenak had its release date on July 4, 2022. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Silent, alone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Some Women's Voices". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Silent, alone is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Silent, alone by Don Walker, Ann Moss, Karen Rosenak having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.167 dB
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jan Vogler, Ivor Bolton | F♯ Minor | 1 | 11A | 88 BPM | |
 | Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Kazuki Yamada, Orchestre de la Suisse Romande, Christopher Jacobson | F Major | 0 | 7B | 114 BPM | |
 | Everything I Wanted - Arr. for Oboe and Chamber Orchestra by Juri Vallentin | Juri Vallentin, Ensemble Reflektor | F♯ Minor | 1 | 11A | 128 BPM | |
 | Spiegel LIED (à deux) | Heinz Holliger, Marie-Lise Schüpbach | D♭ Minor | 1 | 12A | 76 BPM | |
 | À Chloris (Arr. for Cello and Orchestra) | Reynaldo Hahn, Sol Gabetta, Prague Philharmonic Orchestra, Charles Olivieri-Munroe | E Major | 0 | 12B | 75 BPM | |
 | Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | |
 | Fragments from the Film Music: No. 26 Ophelia's Madness - From 'Hamlet' | Dmitri Shostakovich, I Solisti Italiani | D♭ Major | 0 | 3B | 99 BPM | |
 | Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | |
 | La Source | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Minor | 1 | 12A | 70 BPM | |
 | Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 76 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | |
 | Prélude, fugue et variation pour piano & harmonium: I. Prélude - (Version c.1865) | César Franck, Bertrand Chamayou | G Major | 0 | 9B | 105 BPM | |
 | A Fact Withheld the Little Child: IV. The Sun Kept Setting, Setting Still | Don Walker, Ann Moss, Karen Rosenak | F Major | 1 | 7B | 67 BPM | |
 | Silent Noon | Ralph Vaughan Williams, Kitty Whately, Joseph Middleton | E♭ Major | 0 | 5B | 68 BPM | |
 | Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | |
 | La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | |
 | Jeanie with the Light Brown Hair | Jan DeGaetani | F Major | 0 | 7B | 76 BPM | |
 | Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | |
 | String Quartet in F Major, M. 35: II. Assez vif - très rythmé | Maurice Ravel, Quatuor Debussy | D♭ Major | 0 | 3B | 77 BPM | |
 | String Quartet No. 4, "Third World": III. — | Don Walker, Vit Muzik, Vladislav Kvapil, Gabriel Pavlik, Marian Pavlik | G Major | 1 | 9B | 99 BPM | |
 | String Quartet No. 8 in F Major, K. 168: II. Andante | Wolfgang Amadeus Mozart, Hagen Quartett | D Major | 3 | 10B | 85 BPM | |
 | String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM |
- ISRC
- USAB12289801
- Label
- L-M Records/RCA Records