English Folk Song Suite: I. March "Seventeen Come Sunday" by Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra Song Details

Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra's ' "English Folk Song Suite: I. March "Seventeen Come Sunday"" was released on its scheduled release date, January 1, 1999. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in British Wind Band Classics by Timothy Reynish, Royal Northern College Of Music Wind Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, English Folk Song Suite: I. March "Seventeen Come Sunday" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of English Folk Song Suite: I. March "Seventeen Come Sunday" by Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

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Popularity: 23%
Loudness: -20.271 dB
Acousticness: 96%
Danceability: 41%
Energy: 22%
Instrumentalness: 95%
Liveness: 7%
Loudness: 66%
Speechiness: 4%
Valence: 56%

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