Kurt Elling's ' "Undun" was released on its scheduled release date, January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Nightmoves". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Undun is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Undun by Kurt Elling having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Over Now | Judy Niemack, Kenny Barron | A Minor | 2 | 8A | 99 BPM | ||
| Weaver Of Dreams | Valerie Joyce | A♭ Major | 2 | 4B | 76 BPM | ||
| Sunday Mornings | Christian Sands | B♭ Minor | 3 | 3A | 93 BPM | ||
| One For My Baby | Dianne Reeves | G Major | 1 | 9B | 206 BPM | ||
| If It Was | Silva Thordardottir, Steingrímur Teague, Jóel Pálsson | C Major | 1 | 8B | 119 BPM | ||
| They Can't Take That Away from Me | Torsten Goods, Viktoria Tolstoy | A♭ Major | 4 | 4B | 114 BPM | ||
| Even in the Evenin' | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| Everyday I Have The Blues | Tyreek McDole, Dylan Band, Caelan Cardello | F Minor | 5 | 4A | 184 BPM | ||
| I See It In You | Monika Ryan | C Major | 3 | 8B | 104 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| People Will Say We're In Love | Kat Gang | C Major | 2 | 8B | 144 BPM | ||
| How Long | Ksenia Parkhatskaya | D♭ Major | 1 | 3B | 68 BPM | ||
| It Could Happen to You | Michael Mayo | F♯ Minor | 4 | 11A | 90 BPM | ||
| I Mean You | Esbjörn Svensson Trio | B♭ Major | 3 | 6B | 126 BPM | ||
| Lobby Call | China Moses, Takuya Kuroda | G Major | 3 | 9B | 83 BPM | ||
| Some Other Time | Johanna Linnea Jakobsson | N/A | N/A | N/A | 0 BPM | ||
| In The Slow Lane | Kenny Barron, Kurt Elling | D♭ Major | 2 | 3B | 180 BPM | ||
| Blue in Green | Sachal Vasandani, Romain Collin | G Major | 1 | 9B | 106 BPM | ||
| So Much Joy | Ruben Fox, Samara Joy, Vuyo Sotashe, Shenel Johns | C Major | 2 | 8B | 119 BPM | ||
| Widescreen Baroque | The Jazz Room | C Minor | 3 | 5A | 170 BPM | ||
| I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
| Don't Ever Leave Me | Keith Jarrett, Charlie Haden | F Major | 0 | 7B | 106 BPM | ||
| Hear You Say | David Penn | C Major | 1 | 8B | 73 BPM | ||
| Lover Come Back To Me | Cassandra Wilson | F♯ Major | 3 | 2B | 126 BPM | ||
| The Morning After the Night Before | Courtney Pine | C Minor | 1 | 5A | 128 BPM |