On December 29, 2025, the song "uthe Toh Nahi Re Desh Hamaro" was released by Prakash Mali. This song appears to be safe for all ages as it is not explicit. Since uthe Toh Nahi Re Desh Hamaro only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. uthe Toh Nahi Re Desh Hamaro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With uthe Toh Nahi Re Desh Hamaro by Prakash Mali having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaga Bhor Bhayil Mai | Pawan Singh | F Major | 9 | 7B | 88 BPM | ||
| Sanware Ka Saath | Kumar Satyamm | F♯ Minor | 7 | 11A | 146 BPM | ||
| Guru Mahima | Naresh Prajapat | B♭ Major | 8 | 6B | 88 BPM | ||
| Sharhad Tujhe Pranam | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Jag Me Nind Ni Leve Nav Jana | Anita Jangid | G Major | 8 | 9B | 110 BPM | ||
| Jara Dhire Dhire Gadi Hako Mere Ram Gadi Wala | Dhanraj Joshi | D♭ Major | 9 | 3B | 153 BPM | ||
| Khamma O Kanwar Ajmaalra | Prakash Mali, Mahendra Singh, Daksha Prajapati | B♭ Minor | 9 | 3A | 94 BPM | ||
| Dilshad Zakhmi Ki Ghazal | Dilshad Zakhmi | B Major | 9 | 1B | 126 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Nabi Ay Sajdey Wich | Hassan Sadiq | A Minor | 9 | 8A | 92 BPM | ||
| HIRA GUJARI SADU MATA VARTA SAPNA ME AAYA DEVJI | Bhagwat Suthar | C Major | 9 | 8B | 150 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Jyot Jagawaan Mhe Anand Paanwa | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Aahe Sahityachi Khaan | Milind Shinde | B Major | 6 | 1B | 100 BPM | ||
| Chintamani Mhaari Chintachoor | Pintu Swami | G Major | 3 | 9B | 83 BPM | ||
| Dwarika No Nath Maro Raja Ranchhod | Dwarkesh Studio Official, Hetal Ahir | A♭ Major | 7 | 4B | 112 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| Ghani Khamma Deshana Dham Ne | Keshav Depawat | E♭ Major | 8 | 5B | 130 BPM | ||
| ख्वाजा पीर की हाजरी का सोला ।I KHAWAJA JI KA SOLA || Sunny nath and party | Raju Saini, Guga Jaharpeer Status Dharamgarh | A♭ Major | 5 | 4B | 83 BPM | ||
| Amar Cuondai Oodhu | Moinuddin Manchala, Prakash Mali | D Major | 7 | 10B | 138 BPM | ||
| Gurudev Jagave Sutoda Jago | Mahaveer Sankhla | F Minor | 8 | 4A | 94 BPM | ||
| Bula Lo Vrindavan Girdhari | Chetna | D Major | 7 | 10B | 136 BPM | ||
| Ram Naam Laddoo | Kashish Sinha | F♯ Major | 10 | 2B | 87 BPM | ||
| Are Surveer Janmiya | Prakash Mali, Neeta Nayak | E Major | 8 | 12B | 90 BPM |