Trin-I-Tee 5:7's ' "You Can Always Call His Name" was released on its scheduled release date, July 14, 1998. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Trin-i-tee 5:7". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, You Can Always Call His Name is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With You Can Always Call His Name by Trin-I-Tee 5:7 having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming Home | Gene Moore | D Major | 7 | 10B | 170 BPM | ||
| I'll Praise | The Straight Gate Mass Choir | A♭ Major | 10 | 4B | 113 BPM | ||
| Praise My Way Out | Shei Atkins | B♭ Minor | 7 | 3A | 113 BPM | ||
| Praise In The Choir Stand | Brent Jones | D♭ Major | 9 | 3B | 103 BPM | ||
| Jesus Will | Anita Wilson | B Major | 9 | 1B | 89 BPM | ||
| Blessing Me | Cedric Ballard | D Major | 9 | 10B | 77 BPM | ||
| In The Middle | Isaac Carree | B Major | 8 | 1B | 120 BPM | ||
| I'm Blessed | Mississippi Children's Choir | D♭ Major | 8 | 3B | 93 BPM | ||
| I Come to You More Than I GIve | Kim Burrell | F♯ Major | 6 | 2B | 130 BPM | ||
| In The Room | Lexi | F♯ Minor | 7 | 11A | 105 BPM | ||
| Faithful Groove | Ted & Sheri | B♭ Minor | 6 | 3A | 140 BPM | ||
| Miracle | Dawkins & Dawkins | D♭ Minor | 6 | 12A | 91 BPM | ||
| Doesn't Really Matter | Tonéx | A♭ Major | 7 | 4B | 94 BPM | ||
| Follow Me | Virtue | E♭ Minor | 6 | 2A | 123 BPM | ||
| Closer Than Close | Brent Jones, Donald Hayes | E♭ Major | 3 | 5B | 141 BPM | ||
| I Just Love You | Vanessa Bell Armstrong | B♭ Major | 6 | 6B | 110 BPM | ||
| Abide | Lexi | B Minor | 7 | 10A | 81 BPM | ||
| He's Been Good | Virtue | D♭ Minor | 8 | 12A | 100 BPM | ||
| Your Love Lifted Me | Virtue | F♯ Major | 5 | 2B | 94 BPM | ||
| Sweet Love | Twinkie Clark | E Minor | 5 | 9A | 176 BPM | ||
| Don't Give Up - Live | Earnest Pugh | B Major | 9 | 1B | 97 BPM | ||
| You Keep On Givin' | Wess Morgan | C Major | 7 | 8B | 100 BPM | ||
| Let Him In | Winans Phase 2 | D♭ Minor | 7 | 12A | 174 BPM | ||
| Yet Will I Trust In Him | Men Of Standard | F Major | 4 | 7B | 100 BPM | ||
| Having You There | Mississippi Mass Choir | A♭ Major | 7 | 4B | 165 BPM |