Émile Waldteufel, Mela Tenenbaum, Anton Nel's 'Immer oder nimmer Walzer, Op. 156' had a release date set for 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 81 in the song's album "The Romantic Age, 500 Years of Classical Music". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Immer oder nimmer Walzer, Op. 156's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Immer oder nimmer Walzer, Op. 156 by Émile Waldteufel, Mela Tenenbaum, Anton Nel having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1 | Anton Rubinstein, Taeguk Mun, Chi Ho Han | F Major | 1 | 7B | 93 BPM | ||
| Ricerata No. 3 - Allegro | Platti | E Minor | 1 | 9A | 153 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Jascha Heifetz, Emanuel Bay | E Minor | 2 | 9A | 61 BPM | ||
| Sonata for Violin and Cello "Il pastor fido," Op. 13, No. 4 (formerly attrib. Vivaldi, RV 57): 4. Allegro | Nicolas Chédeville, Antonio Vivaldi, Mela Tenenbaum, Yosif Feigelson | G Major | 1 | 9B | 134 BPM | ||
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Godowsky: Triakontameron: No. 11, Alt-Wien. Andante lusingando (Arr. for Violin and Piano by Jascha Heifetz) | Jascha Heifetz, Leopold Godowsky, Itzhak Perlman, Samuel Sanders | G Major | 2 | 9B | 99 BPM | ||
| Ciné-club d'Antenne 2 (Thème amour et printemps) | Émile Waldteufel | F Minor | 2 | 4A | 186 BPM | ||
| Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| Waldteufel: España, Op. 236 | Émile Waldteufel, Willi Boskovsky, Orchestre National de l'Opéra de Monte-Carlo | F♯ Minor | 3 | 11A | 96 BPM | ||
| Amour et Printemps | Émile Waldteufel, London Salon Ensemble | B Minor | 1 | 10A | 110 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
| Symphonie Espagnole in D Minor, Op. 21: I. Allegro non troppo | Arthur Grumiaux | B♭ Major | 1 | 6B | 76 BPM | ||
| Song Without Words, Op. 60: I. Andante espressivo "May Breezes" (Arr. Kreisler) | Felix Mendelssohn, Fritz Kreisler, Mela Tenenbaum, Richard Kapp | B♭ Major | 1 | 6B | 123 BPM | ||
| 5 Gedichte, WWV 91: V. Träume | Richard Wagner, Mela Tenenbaum, Richard Kapp | A Major | 1 | 11B | 174 BPM | ||
| Sonata for Viola & Keyboard, "Devil's Trill": 2. Allegro | Giuseppe Tartini, Mela Tenenbaum, Richard Kapp | C Minor | 3 | 5A | 108 BPM | ||
| Spohr: Duo Concertante in D Major, Op. 67 No. 2: I. Allegro | Louis Spohr, Itzhak Perlman, Pinchas Zukerman | D Major | 2 | 10B | 130 BPM | ||
| Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: I. Allegro, ma poco | Jean-Marie Leclair, Itzhak Perlman | E Minor | 2 | 9A | 129 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
| Slavonic Fantasy in B minor | Antonín Dvořák, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 116 BPM | ||
| 21 Hungarian Dances, WoO 1 - Transcription Joseph Joachim: No. 5 in G Minor | Johannes Brahms, Akiko Suwanai, Boris Berezovsky | G Minor | 1 | 6A | 79 BPM | ||
| Waldteufel: Estudiantina, Op. 191 | Émile Waldteufel, Willi Boskovsky, Orchestre National de l'Opéra de Monte-Carlo | D Major | 4 | 10B | 104 BPM |