"Equinox" by Alexander Rudd, Zach Lemmon had its release date on January 25, 2015. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Equinox's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in Contemporary Soundscapes by Various Artists. In terms of popularity, Equinox is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Equinox by Alexander Rudd, Zach Lemmon is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bookish Main Theme | Sarah Warne | C Minor | 4 | 5A | 128 BPM | ||
| Reflection | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 0 | 3A | 108 BPM | ||
| Play the Ponies | Jo Blankenburg | A♭ Major | 9 | 4B | 109 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| A Pilgrim's Tale | Lama House | C Major | 3 | 8B | 180 BPM | ||
| Dickensian Theme | Debbie Wiseman, The Locrian Ensemble Of London | F Major | 1 | 7B | 99 BPM | ||
| Forgotten Sins | Audiomachine, Harry Lightfoot | G Minor | 8 | 6A | 120 BPM | ||
| Orient Express Suite | Patrick Doyle | G Major | 4 | 9B | 82 BPM | ||
| Hidden Photographer | Nathan Klein, F. Keane | G Minor | 2 | 6A | 170 BPM | ||
| Returning to Sanditon | Ruth Barrett, Jon Wygens, David Schweitzer | D Minor | 1 | 7A | 166 BPM | ||
| We Are Killers / The Bomb | John Ottman, Alexander Rudd | B Minor | 1 | 10A | 69 BPM | ||
| Flying Colours | Christopher Slaski | E Major | 3 | 12B | 103 BPM | ||
| District Line, East, One Stop. | Dario Marianelli, Víkingur Ólafsson | E Minor | 0 | 9A | 144 BPM | ||
| Affectionate Writing | Howard Harper-Barnes | F Major | 5 | 7B | 150 BPM | ||
| There’s Been An Incident | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Bowerbird | Nathan Klein, F. Keane | D♭ Minor | 1 | 12A | 164 BPM | ||
| Evergreen Reverie | Claw and Order | G Major | 4 | 9B | 100 BPM | ||
| Jaffa to Stamboul | Patrick Doyle | F Major | 3 | 7B | 109 BPM | ||
| The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
| Thames Blue | Alexander Rudd | E♭ Major | 0 | 5B | 138 BPM | ||
| Lead To Nowhere | jung jaeil | G Minor | 4 | 6A | 137 BPM | ||
| In Four | Alexander Rudd | F Minor | 2 | 4A | 167 BPM | ||
| Enchanted Kingdom | Alexander Rudd, Zach Lemmon | F Major | 1 | 7B | 126 BPM | ||
| Fotografia | Stefano Lentini | G Minor | 4 | 6A | 137 BPM | ||
| Maybe We Are Only Two People | Abel Korzeniowski | C Minor | 3 | 5A | 168 BPM |