Rajeev Rathi, Manoj Rathi, Kumari Tina, Sunil Ahlawat, Fauji Faleram, Deepak Tujana, Pinky Chaudhary, Satish's ' "Rajkumari Chandra Ki Basant Se Shaadi" was released on its scheduled release date, 2006. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Kissa Roop Basant, Vol. 2" album is number 2 out of 10. On top of that, France appears to be the country where this track was created. Rajkumari Chandra Ki Basant Se Shaadi is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Rajkumari Chandra Ki Basant Se Shaadi by Rajeev Rathi, Manoj Rathi, Kumari Tina, Sunil Ahlawat, Fauji Faleram, Deepak Tujana, Pinky Chaudhary, Satish to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marhaba Bolo Marhaba | Farhan Ali Qadri | B Major | 10 | 1B | 115 BPM | ||
| Priyamaina Yesayya | Gokul Prem Kumar | B Minor | 7 | 10A | 90 BPM | ||
| Mata Ji Ka Bharat | Ballu Ram Ji | F Major | 6 | 7B | 130 BPM | ||
| Baba Farid Ji | Baba Banta Singh Ji MundaPind Wale | D♭ Major | 4 | 3B | 83 BPM | ||
| Unity | Agbobu | F Major | 6 | 7B | 130 BPM | ||
| Chalo Dekhan Ne | Sanwarmal Saini | C Minor | 8 | 5A | 132 BPM | ||
| Huanaspa Acoria | AthaNualpa | F♯ Minor | 5 | 11A | 84 BPM | ||
| Main Nirgun Gun | Sukhvinder | E Minor | 1 | 9A | 113 BPM | ||
| Upadhyaksha Theme Music 2 | Arjun Janya | D Major | 8 | 10B | 131 BPM | ||
| Maa go mor maa samalei | UMAKANT BARIK | G Major | 6 | 9B | 127 BPM | ||
| koi nahin hai achaa | Anil Kant | G Major | 6 | 9B | 98 BPM | ||
| Viata De Parinte | Dan Badea | A Major | 5 | 11B | 86 BPM | ||
| Vani Gadale Bangala Bandha 1 | Kalyani Chaudhari | B♭ Major | 10 | 6B | 174 BPM | ||
| Deen Ki Nusrat Kay Liyay | Al Islam, Muhammad Ismatullah | B Major | 1 | 1B | 106 BPM | ||
| I Am Happy Dilli Tu Pappi | Prakash Pajane | A♭ Major | 10 | 4B | 96 BPM | ||
| Amche Darashi Hai Shimga | Ramesh Nakhwa | E Major | 4 | 12B | 150 BPM | ||
| Jhoom Le Jhoom Le | Laxmikant, Subhash Ghai, Laxmikant–Pyarelal | G Minor | 5 | 6A | 92 BPM | ||
| Dwadash Jyotirlinga Stotram (Saurashtre Somnatham) | Pandit Mrityunjay Hiremath Ji | D Major | 7 | 10B | 125 BPM | ||
| Indal Qiyam | Emha Ainun Nadjib, Kiai Kanjeng | F Minor | 9 | 4A | 114 BPM | ||
| Al-Baqarah 62-69 | Abdulkareem Fayol | B Major | 4 | 1B | 191 BPM | ||
| Charchalaku Siddam | Chiranjeevi, Sudev Nair, Bheems Ceciroleo | F Major | 6 | 7B | 130 BPM | ||
| 108 Potri | Pushpavanam Kuppusamy | F♯ Major | 4 | 2B | 107 BPM | ||
| Unka Mangta Hun Jo Mangta Nahi | Qari Shahid Mehmood Qadri | E♭ Major | 4 | 5B | 163 BPM | ||
| 04-Ram Katha | Swami Rajeshwaranand Saraswati Maharaj | G Major | 3 | 9B | 172 BPM | ||
| Bhaltya Kale Namavali Part 3 | Baba Maharaj Satarkar, Chinmay Maharaj Satarkar | B♭ Major | 4 | 6B | 83 BPM |