Redlight's ' "C'est La Vie" was released on its scheduled release date, April 20, 2018. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Redlight's "Jukebox, Vol. 2" album is number 1 out of 4. On top of that, France appears to be the country where this track was created. Based on our statistics, C'est La Vie's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of C'est La Vie by Redlight to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| PARTYZEIT! | First Day of Spring, The Plan | D Major | 7 | 10B | 119 BPM | ||
| Tendencies | A Day in Venice | G Minor | 7 | 6A | 120 BPM | ||
| Wither | Hangwire | G Major | 8 | 9B | 156 BPM | ||
| Midnight Song | Redlight | A Major | 7 | 11B | 93 BPM | ||
| Wasted Time | Mercury Teardrop, J.H.M | F Major | 9 | 7B | 143 BPM | ||
| Prairie - Bonus Track | Fire in the Radio | D Major | 9 | 10B | 156 BPM | ||
| Erase Me | Orbis | B Minor | 10 | 10A | 121 BPM | ||
| Slow Eerie | Tendertale | D Major | 9 | 10B | 150 BPM | ||
| Everything Is Lost | Daniel Jumpertz | C Major | 5 | 8B | 120 BPM | ||
| Egress | No Future | A Major | 7 | 11B | 88 BPM | ||
| Earth, Wood & Oil | King Me Ltd. | A♭ Major | 7 | 4B | 128 BPM | ||
| BACK TO SLEEP | NICK THE NATIVE | F♯ Minor | 5 | 11A | 140 BPM | ||
| Highway II | SUEP | A♭ Major | 7 | 4B | 128 BPM | ||
| The Prince Arrives at the Gates of the Machine | Plastic Manmade Sunshine Machine | C Major | 8 | 8B | 78 BPM | ||
| Change It! | Tom Minor, Johnny Dalston | A♭ Major | 7 | 4B | 128 BPM | ||
| Sin (Without) | The Dead Electrics | A♭ Major | 7 | 4B | 128 BPM | ||
| Zen Silence | NUDNIK | A♭ Major | 7 | 4B | 128 BPM | ||
| Nastasia | Static Switch | B♭ Major | 6 | 6B | 137 BPM | ||
| Antidote | Gelatin Boy | D Major | 8 | 10B | 135 BPM | ||
| I'll Meet You At the Graveyard | Tsunamiz | D♭ Minor | 5 | 12A | 120 BPM | ||
| To Heaven | PAAB | D Minor | 9 | 7A | 142 BPM | ||
| Hold On | Redlight | F♯ Minor | 5 | 11A | 120 BPM | ||
| Dog Days (Three Knights) | Chelekis | C Minor | 8 | 5A | 125 BPM | ||
| Blindside | SILUETT | A♭ Major | 7 | 4B | 128 BPM | ||
| Polly - 2026 Version | deadwater | G Major | 8 | 9B | 120 BPM |