"Why Don't You See Me" by Concrete Blonde had its release date on March 10, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Walking In London by Concrete Blonde. The song's track number on the album is #5 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Why Don't You See Me is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Why Don't You See Me by Concrete Blonde has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Why Don't You See Me being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Watch Me Bleed | 'Til Tuesday | D Minor | 7 | 7A | 207 BPM | ||
| Jackie | Sinéad O'Connor | C Major | 5 | 8B | 145 BPM | ||
| High on Life | Rasputina | F Minor | 8 | 4A | 77 BPM | ||
| Take The L - Remastered 1999 | The Motels | C Major | 4 | 8B | 115 BPM | ||
| White Sweater | Romeo Void | B Minor | 6 | 10A | 88 BPM | ||
| Transylvanian Concubine | Rasputina | F Major | 5 | 7B | 155 BPM | ||
| City Screaming | Concrete Blonde | D Major | 9 | 10B | 146 BPM | ||
| Sand | The Lovemongers | A Major | 5 | 11B | 132 BPM | ||
| Dark Secret | Matthew Sweet | F♯ Minor | 7 | 11A | 119 BPM | ||
| Elyria | Faith And The Muse | C Major | 6 | 8B | 124 BPM | ||
| Tomorrow Wendy (Day One Basic Vocal Track 1989) [feat. Johnette Napolitano & Scott Thunes] | Andy Prieboy, Johnette Napolitano, Scott Thunes | E♭ Major | 2 | 5B | 91 BPM | ||
| Tragic Surf - Remastered 1999 | The Motels | B Minor | 6 | 10A | 177 BPM | ||
| Stwisted | Edie Brickell & New Bohemians | D Major | 5 | 10B | 134 BPM | ||
| Out On My Own - Dance Mix | Romeo Void | E Minor | 8 | 9A | 151 BPM | ||
| Coming Down Fast | Daniel Ash | A Major | 9 | 11B | 108 BPM | ||
| The Silver Circle | Faith And The Muse | G Minor | 8 | 6A | 79 BPM | ||
| Looking for a Life to Lose | The Bolshoi | C Major | 10 | 8B | 157 BPM | ||
| This Love | Daniel Ash | D♭ Minor | 7 | 12A | 102 BPM | ||
| Bajo La Lune Mexicana | Concrete Blonde | A Minor | 9 | 8A | 92 BPM | ||
| Sparks | Faith And The Muse | F♯ Minor | 8 | 11A | 105 BPM | ||
| Deliverance | The Mission UK | G Minor | 6 | 6A | 132 BPM | ||
| Burning Skies | Tones On Tail | D Minor | 5 | 7A | 95 BPM | ||
| Chord of Souls | Fields Of The Nephilim | A Minor | 10 | 8A | 168 BPM | ||
| Witchcraft | Book Of Love | G Major | 6 | 9B | 129 BPM | ||
| Dreams Come True (Stand Up And Take It) | Lone Justice | E Major | 6 | 12B | 113 BPM |