On January 1, 1986, the song "Heer DI Doli" was released by Kuldip Manak. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Heer DI Doli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kuldip Manak's "Kuldeep Manak All Time Top 100" album is number 26 out of 100. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Heer DI Doli is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Heer DI Doli by Kuldip Manak to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeth Rahe Nit Lainda | Amarjit Nagina, Kiranjoti | D♭ Major | 9 | 3B | 110 BPM | ||
| Pehli Mulakat Ve Rabba | Major Rajasthani | F Minor | 4 | 4A | 131 BPM | ||
| Gaddi Diyan Jhalra | Avtar Chamak, Biba Harjot | A♭ Major | 7 | 4B | 82 BPM | ||
| Badla | Nikka Sev, Jagowala Jatha | D Minor | 9 | 7A | 90 BPM | ||
| Kaali Chunni | Raja Sidhu | A♭ Minor | 6 | 1A | 136 BPM | ||
| Ik Pegg Ehdey Vichon La | Major Rajasthani, Surpreet Soni | B Minor | 7 | 10A | 118 BPM | ||
| Saadi Yaad Vairne | Major Rajasthani | F♯ Major | 4 | 2B | 138 BPM | ||
| Sangat Darshan | Amrik Toofan, Harjit Mattu | E Major | 7 | 12B | 124 BPM | ||
| Poh De Mahine Wali Thand | Sarabjeet Bugga, Manpreet Bugga | G Major | 9 | 9B | 96 BPM | ||
| Sare Mele Wich Ve Main Labhdi Firan | K. Deep, Jagmohan Kaur | D Major | 5 | 10B | 172 BPM | ||
| Lakh Data Peer Bhare Sabdiyan Jholiyan | Sohan Lal Saini, Balbir Takhkhi, Jatinder Goldi | B♭ Minor | 8 | 3A | 172 BPM | ||
| Gidde Vich | Swami, Kuldip Manak | D♭ Major | 7 | 3B | 98 BPM | ||
| Jeth Dekh Gya Pat | Amrik Toofan, Harjit Mattu | G Minor | 7 | 6A | 81 BPM | ||
| Baahar Tera Bapu Aa Gaya | Baaz Singh Baaz, Sukhwinder Sukhi | F♯ Major | 10 | 2B | 120 BPM | ||
| Phulkari | Harbhajan Mann, Gursewak Mann | D♭ Minor | 9 | 12A | 176 BPM | ||
| Ghund Kad Lai | Dilshad Akhtar | F Minor | 6 | 4A | 118 BPM | ||
| Voti Vata Layi | Sarif Dildar | C Major | 8 | 8B | 96 BPM | ||
| Gulabi Pag Ban Mitra | Ravinder Grewal, Surpreet Soni | D♭ Minor | 9 | 12A | 165 BPM | ||
| Main Haan Tere Wal Di | Bhupinder Gill, Mrs. Neelam | A♭ Major | 9 | 4B | 154 BPM | ||
| Chhave Murka Aave Boliyan | Gora Chak Wala | B Minor | 8 | 10A | 125 BPM | ||
| Chadra | Manjit Rupowalia | B♭ Minor | 9 | 3A | 180 BPM | ||
| Kehar Singh Di Mout | Kuldip Manak | E Minor | 5 | 9A | 87 BPM | ||
| Do Chareyan Di Ek Dholki | K. Deep, Jagmohan Kaur | B♭ Major | 6 | 6B | 179 BPM | ||
| Beli Apne Di Lodi | Sanjeev Verma | B Major | 8 | 1B | 92 BPM | ||
| Phullaan Jahi Jawani | Nachhattar Chhatta | F Minor | 6 | 4A | 84 BPM |