Ravindra Jain's ' "Dulhaniya Bin Raha Jaye Na - 2" was released on its scheduled release date, January 29, 2022. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Shree Krishna Bhajan - Vol. 21". In this album, this song's track order is #14. Furthermore, we believe that the track originated from India. Dulhaniya Bin Raha Jaye Na - 2 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Dulhaniya Bin Raha Jaye Na - 2 by Ravindra Jain having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Yamunashtakam | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Sab saup do pyare prabhu ko | Brahma Kumaris | C Minor | 3 | 5A | 179 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Aisi Laagi Lagan Meera Ho Gai Magan | Vandana Bhardwaj | E♭ Minor | 8 | 2A | 147 BPM | ||
| Malik Mharo Sanwariya | Sanjay Mittal | B Major | 7 | 1B | 80 BPM | ||
| He Manwa Re | Mahendra Kapoor, Kalyanji-Anandji | F♯ Minor | 4 | 11A | 80 BPM | ||
| Tere Prabhu Jante Hain | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 5 | 4B | 124 BPM | ||
| Kabhi Pyase Ko Pani Pilaya Nahi | Sangam Upadhaya | G Major | 6 | 9B | 85 BPM | ||
| Jai Ambe Gauri Aarti | Alka Yagnik | F♯ Major | 6 | 2B | 94 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Hamare Sath Shri Raghunath (Prayer Meet of Smt Kailash Rani Ji Bhajan) | Charan Ji | D♭ Major | 3 | 3B | 121 BPM | ||
| Maa Tere Darbar Jhuke Sara Sansar | Mohammed Rafi | G Minor | 4 | 6A | 86 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Mansa Devi Mansa Poori | Babla Mehta | A♭ Major | 7 | 4B | 105 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Aye Malik Tere Bande | Rajasree Mukherjee and Shromona Mukherjee | G Minor | 4 | 6A | 87 BPM | ||
| Ye Maya Teri Bahut Kathin Hain Ram | Manoj Mishra | A♭ Major | 8 | 4B | 80 BPM | ||
| Sheesh Ganga Adharg Parvati | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM | ||
| Sneh pyar ki tujhse Baba | Brahma Kumaris | D♭ Major | 3 | 3B | 122 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Racha Hain Srushti Ko Jis Prabhu Ne | Manoj Mishra | F Minor | 7 | 4A | 110 BPM | ||
| Sukh Ke Sab Saathi | Mohammed Rafi | A♭ Minor | 6 | 1A | 82 BPM |