"Preludio sobre un tema de Bach" by Hector Rojas had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Preludio sobre un tema de Bach's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 11 out of 186. Preludio sobre un tema de Bach is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludio sobre un tema de Bach by Hector Rojas to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in A minor: III. Sarabande | Adam Holzman, Manuel Ponce | A Major | 0 | 11B | 108 BPM | ||
| 5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidović | B Minor | 1 | 10A | 74 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
| Prelude in C Minor | Berta Rojas | C Minor | 1 | 5A | 121 BPM | ||
| Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
| Estrellita | Adam Holzman, Manuel Ponce | A Major | 0 | 11B | 98 BPM | ||
| Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| Just Passing By | Billy Arcila | A Major | 1 | 11B | 145 BPM | ||
| Hommage à Piazzolla | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Torija | Federico Moreno Torroba, Shiri Coneh | D Major | 1 | 10B | 76 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 108 BPM | ||
| Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
| Guitar Sonata in A Major, Op. 29 No. 2: II. Andante sostenuto (Arr. J. Bream for Guitar) | Anton Diabelli, Park Kyuhee | E Minor | 1 | 9A | 83 BPM | ||
| Canarios | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
| An Improvisation to Wish You Farewell | Gerard Cousins | A♭ Minor | 1 | 1A | 91 BPM | ||
| Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
| Malagueña | Celedonio Romero, Pepe Romero | C Major | 1 | 8B | 96 BPM | ||
| Estampas Nocturnas: III. Arrulladora | Manuel Ponce, Enrique Bátiz, Royal Philharmonic Orchestra | E♭ Major | 0 | 5B | 90 BPM | ||
| Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM |