"Bilaskhani Todi: Jor" by Nikhil Banerjee had its release date on January 1, 1996. This song appears to be safe for all ages as it is not explicit. The track order of this song in Nikhil Banerjee's "Morning Ragas, Bombay 1965" album is number 2 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Bilaskhani Todi: Jor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bilaskhani Todi: Jor by Nikhil Banerjee to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Ram Jai Ram - Instrumental | Acoustic Trips | A♭ Minor | 4 | 1A | 80 BPM | ||
| Durga | Shruti Sadolikar | D♭ Major | 4 | 3B | 173 BPM | ||
| Bhastrika Pranayam - Raag Shuddha Sarang | Ronu Majumdar | E Major | 2 | 12B | 128 BPM | ||
| Bibhas | Vidyadhar Vyas | F Minor | 3 | 4A | 110 BPM | ||
| Sidh Bhajo Omkara | Ganesha Bhajans | B♭ Minor | 4 | 3A | 96 BPM | ||
| Brochevarevarurar | A. Kanyakumari | C Major | 5 | 8B | 79 BPM | ||
| Bhairavi Thumri: Alap | Nikhil Banerjee | D Major | 2 | 10B | 134 BPM | ||
| Rāga: Pūrvikalyāṇi / Ālāpana | Ranganayaki Rajagopalan | G Minor | 1 | 6A | 99 BPM | ||
| Chandrakaush Alap | Nikhil Banerjee | B♭ Minor | 2 | 3A | 128 BPM | ||
| Cenizas del Tiempo | Ciruu | C Minor | 6 | 5A | 137 BPM | ||
| Bhagyada Lakshmi - Madhyamavathi - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM | ||
| Raga Bhairavi | Bismillah Khan | G Minor | 4 | 6A | 134 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Blessings of the Heart, Pt. 2 (Iman Kalyan) | Ali Akbar Khan | G Major | 5 | 9B | 138 BPM | ||
| Bansuri Blast Off | Bodhi Spirit | A Major | 0 | 11B | 90 BPM | ||
| Aaji Bijan Ghare | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM | ||
| Shanti - Peace | Tony Scott | A Major | 0 | 11B | 83 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Raag Puriya | Purbayan Chatterjee | F♯ Minor | 0 | 11A | 133 BPM | ||
| Raga Shudh Kalyan Alap | G.S. Sachdev | F Major | 0 | 7B | 79 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Raag Yaman (Aalap, Jod & Jhala) | Shahid Parvez | F♯ Minor | 1 | 11A | 122 BPM | ||
| Raga Yamani - Sitar & Shehnai | Traditional, Bismillah Khan, Ustad Vilayat Khan | D♭ Major | 2 | 3B | 104 BPM | ||
| Devgiri Bilawal | Ty Burhoe, Kala Ramnath | D Major | 5 | 10B | 170 BPM |