Elizabeth Cotten's ' "Fare You Well, My Darling" was released on its scheduled release date, September 21, 2004. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Fare You Well, My Darling's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Shake Sugaree". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Fare You Well, My Darling is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fare You Well, My Darling by Elizabeth Cotten having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Never Wanted Me - 2001 Remaster | Jackson C. Frank | A♭ Minor | 2 | 1A | 81 BPM | ||
| Blue Roses | Josephine Foster | G Major | 1 | 9B | 204 BPM | ||
| Nobody Loves Me Like My Baby Does | Ted Lucas | D Major | 1 | 10B | 180 BPM | ||
| I Have Considered the Lilies | Connie Converse | A♭ Major | 1 | 4B | 123 BPM | ||
| Little Birdie | The Kossoy Sisters | B♭ Major | 2 | 6B | 183 BPM | ||
| Man In Love | Charlie Feathers | C Major | 3 | 8B | 129 BPM | ||
| Gaslight Blues | Elizabeth Cotten | F Major | 3 | 7B | 144 BPM | ||
| Ball the Jack | Elizabeth Cotten | B♭ Major | 2 | 6B | 108 BPM | ||
| The Dying Cowboy | Cisco Houston | A♭ Major | 0 | 4B | 92 BPM | ||
| White Bird | Tia Blake | C Minor | 4 | 5A | 105 BPM | ||
| I'm a Good Man | Tucker Zimmerman | G Major | 2 | 9B | 143 BPM | ||
| Graveyard Blues | Roscoe Holcomb | G Major | 2 | 9B | 119 BPM | ||
| I'm So Depressed | Abner Jay | G Major | 6 | 9B | 189 BPM | ||
| All I Bring You Is Love | Diane Cluck | E Minor | 2 | 9A | 125 BPM | ||
| Here in California | Kate Wolf | A♭ Major | 1 | 4B | 139 BPM | ||
| Henry Lee (Original Mix) | Dick Justice | G Major | 2 | 9B | 147 BPM | ||
| Wildwood Flower | Mother Maybelle Carter | F Major | 2 | 7B | 95 BPM | ||
| Waitin' for the Hard Times to Go | Jim Ringer | G Major | 1 | 9B | 140 BPM | ||
| Baby I'll Be True to You | Etta Baker, Cora Phillips | G Major | 1 | 9B | 88 BPM | ||
| Betty and Dupree | Tia Blake | G Major | 1 | 9B | 79 BPM | ||
| I Am | Redd | E Major | 0 | 12B | 138 BPM | ||
| Early Morning Rain | Ian & Sylvia | E Major | 1 | 12B | 98 BPM | ||
| Polly Vaughn | Tia Blake | A Minor | 1 | 8A | 85 BPM | ||
| Poor Ellen Smith | The Kossoy Sisters | D Major | 5 | 10B | 124 BPM | ||
| All the Pretty Little Horses | Alan Lomax | A Minor | 0 | 8A | 109 BPM |