Jesus on the Main Line
James Shorty & Viola James
Sounds Of The South
3:37 1993
BPM
136
Key
B Minor
Camelot
10A

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Jesus on the Main Line by James Shorty & Viola James Song Details

James Shorty & Viola James's 'Jesus on the Main Line' had a release date set for 1993. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 105 in the song's album "Sounds Of The South". In this album, this song's track order is #9. Based on our statistics, Jesus on the Main Line's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Jesus on the Main Line by James Shorty & Viola James having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.952 dB
Acousticness
84%
Danceability
54%
Energy
70%
Instrumentalness
0%
Liveness
81%
Loudness
78%
Speechiness
19%
Valence
26%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records