On December 16, 2016, the song "At the Wall" was released by Bob Spring. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in Flesh and Rust by Bob Spring. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, At the Wall's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of At the Wall by Bob Spring is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Story | Mendomusic | D Major | 5 | 10B | 92 BPM | ||
| One Week Forever | VANNGO | D Major | 4 | 10B | 138 BPM | ||
| Broken Ring | Zack Tyler | E Minor | 7 | 9A | 172 BPM | ||
| Standing Next to Me | The Barlow | G Major | 7 | 9B | 125 BPM | ||
| Cortez the Killer | Jason Sinay | E Minor | 5 | 9A | 132 BPM | ||
| Hunger for Love | VANNGO | D Major | 8 | 10B | 127 BPM | ||
| Darker days | Sunken Lands | C Major | 5 | 8B | 91 BPM | ||
| Higher Power | Ray Ceety | A Major | 3 | 11B | 120 BPM | ||
| Ain't Sleepin' Right | 7Horse | G Major | 3 | 9B | 124 BPM | ||
| Train to Glory | The Mystix | G Major | 4 | 9B | 78 BPM | ||
| Book Of Revelation | Bob Spring | A Minor | 7 | 8A | 91 BPM | ||
| It Could Have Been Us | Steinar Ytrehus | C Major | 3 | 8B | 140 BPM | ||
| Dreams for Tomorrow | The Barlow | G Major | 7 | 9B | 125 BPM | ||
| Dark Clouds | Backstrom, Bart Topher | E Minor | 5 | 9A | 116 BPM | ||
| The Standard | HazyHero | B Minor | 4 | 10A | 92 BPM | ||
| Half of Me | Vintage Lapointe | F♯ Minor | 3 | 11A | 95 BPM | ||
| Burnt Guts and Cold Nights | Axle Arthur | F♯ Minor | 4 | 11A | 148 BPM | ||
| Healing is Harder than Hurtin' | Ryan Taylor Price | E Minor | 7 | 9A | 140 BPM | ||
| Goodbye Alabama | Bob Spring | D♭ Major | 4 | 3B | 180 BPM | ||
| My Soul Don’t Take Requests | TitanChord | D Major | 6 | 10B | 139 BPM | ||
| CRUCIFIED | Peter Scavello | F Minor | 8 | 4A | 140 BPM | ||
| Lord Willing | Matt Burke | D Major | 5 | 10B | 79 BPM | ||
| Reckless | Ryan Taylor Price | E Major | 4 | 12B | 140 BPM | ||
| Lightning Lane | Bryan Jack | A♭ Major | 5 | 4B | 85 BPM | ||
| Take Me Away | Lorcan O'Rourke | A Minor | 5 | 8A | 135 BPM |