Katherine Jenkins's 'Chanson Bohème' had a release date set for January 1, 2006. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Katherine Jenkins's "Katherine Jenkins / From The Heart" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Chanson Bohème's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chanson Bohème by Katherine Jenkins to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dros Gymru'n Gwlad (Finlandia) | Katherine Jenkins | A♭ Major | 4 | 4B | 103 BPM | ||
| Scotto / Arr Schifrin: Around the World Part 4: Sous les ponts de Paris | Vincent Scotto, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | C Minor | 2 | 5A | 85 BPM | ||
| 'O sole mio (Arr. Chiaramello for Tenor & Orchestra) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | ||
| Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
| We'll Meet Again | Ross C. Parker, Hugh Charles, Katherine Jenkins, Anthony Ingliss, The Prague Symphonia | G Major | 4 | 9B | 84 BPM | ||
| Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
| Don't Stand On My Grave And Weep | Geoff Stevens, Katherine Jenkins, Anthony Ingliss, The Prague Symphonia | D Major | 4 | 10B | 66 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
| Down By The Salley Garden | IZZY | C Major | 2 | 8B | 90 BPM | ||
| Xander's Song | Katherine Jenkins | F Major | 3 | 7B | 73 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Porgy and Bess, Act I: Summertime | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM | ||
| Nell' Aria Brunna | Emma Shapplin | F♯ Major | 4 | 2B | 178 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
| Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
| Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta) | Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Concerto Köln | G Minor | 0 | 6A | 75 BPM | ||
| Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
| Love Never Dies | Andrew Lloyd Webber, Katherine Jenkins | B♭ Major | 2 | 6B | 96 BPM | ||
| Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
| Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
| Music Of The Night - From "The Phantom Of The Opera" | Katherine Jenkins | C Major | 2 | 8B | 124 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| Habanera from Carmen - Voice | Georges Bizet, George Sebastian, Rise Stevens, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | E Major | 1 | 12B | 79 BPM |