Carnifex's 'TALK TO THE DEAD' had a release date set for September 3, 2021. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carnifex's "GRAVESIDE CONFESSIONS" album is number 6 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, TALK TO THE DEAD is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of TALK TO THE DEAD by Carnifex to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Praenuntius Infiniti - Intro | Vulvodynia | G Minor | 9 | 6A | 60 BPM | ||
| Dead In My Arms | Carnifex | B♭ Major | 10 | 6B | 101 BPM | ||
| Queen of Sorrow | Osiah | F Major | 10 | 7B | 125 BPM | ||
| Dimensional Molecular Transcendence | Acrania | C Major | 10 | 8B | 120 BPM | ||
| The Seven Judges | Vulvodynia | B♭ Minor | 10 | 3A | 160 BPM | ||
| The Eye of the Swarm | Osiah, Ben Duerr | A Minor | 10 | 8A | 120 BPM | ||
| Forgiveness is Weakness | Whitechapel | A Minor | 10 | 8A | 151 BPM | ||
| The Twin Courts of Faerie, and the Perils of Sidhe Ritual | Sold Soul | E Major | 10 | 12B | 135 BPM | ||
| Void | Lorna Shore | D Minor | 10 | 7A | 135 BPM | ||
| Eyes of the Executioner | Carnifex | F Major | 10 | 7B | 110 BPM | ||
| Hymns Ov Invocation | Signs of the Swarm | C Major | 10 | 8B | 125 BPM | ||
| Ethereal Epiphany | Until We Die | A Minor | 10 | 8A | 125 BPM | ||
| A Trophy of Corporate Disfigurement | Acrania | F Major | 10 | 7B | 120 BPM | ||
| Final Phase | Signs of the Swarm | F Major | 9 | 7B | 109 BPM | ||
| Annihilating the Pure Remake | Rings of Saturn | F Major | 10 | 7B | 118 BPM | ||
| Prostatic Fluid Asphyxiation | Whitechapel | A♭ Major | 10 | 4B | 178 BPM | ||
| Acrid Canon | Archspire | D Major | 10 | 10B | 135 BPM | ||
| Weeping Willow | Mire Lore | F♯ Minor | 8 | 11A | 136 BPM | ||
| The Catacombs (feat. Jason Evans & Dickie Allen) | Shadow of Intent, Jason Evans, Dickie Allen | E♭ Major | 10 | 5B | 106 BPM | ||
| The Insignificants | Cattle Decapitation | B Major | 10 | 1B | 85 BPM | ||
| God Hand | Brand of Sacrifice | D Major | 10 | 10B | 105 BPM | ||
| Castigation and Rebirth - Redux | Ingested | D♭ Major | 9 | 3B | 141 BPM | ||
| Forging the Deity Crusher | Vulvodynia, Jordan James | D♭ Major | 10 | 3B | 130 BPM | ||
| Novelty Crosses | The Black Dahlia Murder | G Major | 10 | 9B | 105 BPM | ||
| Servants of Hypocrisy | Acrania | A♭ Major | 10 | 4B | 145 BPM |