"I'm Sorry" by Danny Elfman had its release date on October 7, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Girl on the Train (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, I'm Sorry's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I'm Sorry by Danny Elfman having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| The Tear Heals - From "Tangled"/Score | Mandy Moore | C Major | 1 | 8B | 90 BPM | ||
| I Wish I Could Take It Back | Dan Romer | A Minor | 1 | 8A | 68 BPM | ||
| Nighttime Coming | Joe Hisaishi | E Minor | 1 | 9A | 79 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| Opening Fanfare / Max's Dream | Carter Burwell, Don Davis | E♭ Major | 1 | 5B | 79 BPM | ||
| The Medallion Calls | Klaus Badelt | D Minor | 4 | 7A | 96 BPM | ||
| The Witch Hunters | Atli Örvarsson | D♭ Major | 4 | 3B | 80 BPM | ||
| Main Titles | Danny Elfman | B♭ Minor | 2 | 3A | 103 BPM | ||
| Awakening - From "Sleeping Beauty"/Score | George Bruns | F Major | 1 | 7B | 94 BPM | ||
| The Baudelaire Orphans | Thomas Newman | D Minor | 0 | 7A | 123 BPM | ||
| The End | Danny Elfman | C Major | 1 | 8B | 82 BPM | ||
| Secrets of the Castle | John Williams | D Minor | 0 | 7A | 57 BPM | ||
| TRACK | Atobare | F♯ Major | 2 | 2B | 166 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| Epilogue | Jóhann Jóhannsson | A Minor | 1 | 8A | 136 BPM | ||
| Lucky Charlie - From "Willy Wonka & The Chocolate Factory" Soundtrack | Leslie Bricusse, Anthony Newley | B Major | 3 | 1B | 114 BPM | ||
| Opening Title | Stephen Sondheim | D Major | 3 | 10B | 64 BPM | ||
| Halloween Theme - Main Title | John Carpenter | E Major | 5 | 12B | 136 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| The Arrival of Baby Harry | John Williams | E Minor | 0 | 9A | 81 BPM | ||
| Mistress of Evil | Geoff Zanelli | D Major | 3 | 10B | 84 BPM | ||
| Abre Los Ojos | Germaine Franco | C Minor | 1 | 5A | 120 BPM | ||
| Sunday / the Rat / Morning Paper | Oliver Wallace | A Major | 3 | 11B | 69 BPM | ||
| I Am Satisfied with My Care | Henry Jackman | D♭ Major | 7 | 3B | 120 BPM |