Jeff Broadbent's ' "Bumblebee Cruising" was released on its scheduled release date, November 8, 2011. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Bumblebee Cruising's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Transformers: Dark of the Moon (Original Video Game Score)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Bumblebee Cruising's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bumblebee Cruising by Jeff Broadbent having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Retirement Plan | Brandon McKagan | D♭ Major | 7 | 3B | 200 BPM | ||
| Old One's Army | Scott Lloyd Shelly, Re-Logic | D Minor | 10 | 7A | 135 BPM | ||
| Firestorm | Harry Callaghan | E Major | 4 | 12B | 120 BPM | ||
| Flight of the Zinger | Josh Willis, Cartridge Thunder | B♭ Major | 2 | 6B | 104 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Nothing but Sand | Benjamin Young | B♭ Minor | 7 | 3A | 168 BPM | ||
| Justo Ahora | toribio | B♭ Major | 4 | 6B | 125 BPM | ||
| Goblins and Wyverns | Joshua Carro | F Minor | 5 | 4A | 113 BPM | ||
| On the Edge | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| Desert Battle II | Hyperduck Soundworks | C Major | 6 | 8B | 110 BPM | ||
| Sentience | Emile van Krieken | G Minor | 0 | 6A | 77 BPM | ||
| Eater of Worlds | Re-Logic | G Major | 9 | 9B | 122 BPM | ||
| The Experiment | Mick Gordon | G Major | 4 | 9B | 82 BPM | ||
| Unusual Suspect | Kaptain, Romain Paillot | C Minor | 3 | 5A | 120 BPM | ||
| Contract Details | Jose Pavli | B♭ Minor | 4 | 3A | 116 BPM | ||
| Everdusk Theme | fingerspit | D♭ Major | 2 | 3B | 110 BPM | ||
| The Last Parkour | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Our Disease | Keith Power | G Major | 3 | 9B | 159 BPM | ||
| Neon Dawn | Jon Opstad, Paul Haslinger | B♭ Minor | 5 | 3A | 175 BPM | ||
| Boss Battle Beating | Doseone | B♭ Minor | 10 | 3A | 125 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| Uncontrolled Variables | David Fenn | D Minor | 4 | 7A | 135 BPM | ||
| Resurgence | Jeff van Dyck | A♭ Major | 8 | 4B | 133 BPM | ||
| Dark Skies | ReScore | E Minor | 5 | 9A | 100 BPM | ||
| Iron and Oil (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM |