What is the BPM for 彼こそが海賊（HE'S A PIRATE） by ウィンズスコアBFB?

The tempo for 彼こそが海賊（HE'S A PIRATE） is 72 beats per a minute with a half-time of 36 BPM and a double-time of 144 BPM.

What is the music key for 彼こそが海賊（HE'S A PIRATE） by ウィンズスコアBFB?

The music key for 彼こそが海賊（HE'S A PIRATE） is F Major or a camelot key of 7B.

彼こそが海賊　（HE'S A PIRATE） by ウィンズスコアBFB Song Details

"彼こそが海賊　（HE'S A PIRATE）" by ウィンズスコアBFB had its release date on August 20, 2014. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. 彼こそが海賊　（HE'S A PIRATE）'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in BRASS BEST SELECTION ～FANTASY～ by ウィンズスコアBFB. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 彼こそが海賊　（HE'S A PIRATE） is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 彼こそが海賊　（HE'S A PIRATE） by ウィンズスコアBFB is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -11.801 dB
Acousticness: 99%
Danceability: 29%
Energy: 5%
Instrumentalness: 90%
Liveness: 33%
Loudness: 80%
Speechiness: 4%
Valence: 9%

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