"The Encounter" by Scott Buckley had its release date on July 6, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Scott Buckley's "Monomyth" album is number 7 out of 12. On top of that, Australia appears to be the country where this track was created. The popularity of The Encounter is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Encounter by Scott Buckley to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday Has Yet To Come | Clemens Ruh | G Major | 5 | 9B | 120 BPM | ||
| The Abode of Snow | Bonnie Grace | D♭ Minor | 5 | 12A | 195 BPM | ||
| Impedirlo Siempre | Universo De Oro | G Minor | 1 | 6A | 110 BPM | ||
| Flight | Hannah Parrott | C Major | 1 | 8B | 104 BPM | ||
| Gostaria | Sabir Babayev, Strelka | D♭ Minor | 1 | 12A | 139 BPM | ||
| Finding The Bodies | Luke Richards | D Minor | 1 | 7A | 68 BPM | ||
| Dreams of Us | Bonnie Grace | A Minor | 4 | 8A | 86 BPM | ||
| The Great War | Jon Björk | B♭ Minor | 6 | 3A | 77 BPM | ||
| Forever to Run | Howard Harper-Barnes | G Minor | 4 | 6A | 120 BPM | ||
| Il Fortino | Sagrifizio | A Minor | 5 | 8A | 100 BPM | ||
| Imagine The Spectacular | Luke Richards | G Minor | 4 | 6A | 124 BPM | ||
| Beautiful Oblivion | Scott Buckley | F♯ Minor | 3 | 11A | 102 BPM | ||
| The Sanctuary Within | Erasmus Talbot | C Minor | 2 | 5A | 80 BPM | ||
| Progressive Progress | Howard Harper-Barnes | D♭ Major | 4 | 3B | 155 BPM | ||
| The Ocean | Clinton Shorter | D Minor | 1 | 7A | 115 BPM | ||
| I Disappear | Aysel Kazim, Selenay Kazim | A♭ Major | 4 | 4B | 143 BPM | ||
| No Going Back | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| Interstellar: Interstellar Main Theme | 2Hooks | A Minor | 2 | 8A | 81 BPM | ||
| Fate/strange Fake - sABer | Dude's Cover | G Minor | 1 | 6A | 81 BPM | ||
| Orbit | Disjoint Square | D♭ Major | 6 | 3B | 140 BPM | ||
| Bring Them Home | Hampus Naeselius | B♭ Minor | 4 | 3A | 114 BPM | ||
| Ten Thousand Times Before | Twelve Titans Music | D Minor | 2 | 7A | 112 BPM | ||
| Lost Crusaders | Hampus Naeselius | F♯ Major | 5 | 2B | 117 BPM | ||
| The Norman Kings | Bonnie Grace | E Major | 3 | 12B | 152 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM |