Russell Smith's ' "Anger And Tears" was released on its scheduled release date, May 30, 1989. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "This Little Town". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Anger And Tears is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Anger And Tears by Russell Smith having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come As You Were | T. Graham Brown | E♭ Major | 6 | 5B | 96 BPM | ||
| Mary Ann Is a Pistol | Brother Phelps | B Major | 8 | 1B | 137 BPM | ||
| Feelin' Haggard | Dale Watson, Ray Benson | A Major | 4 | 11B | 104 BPM | ||
| Pyramid of Cans | Mel Tillis | B♭ Major | 4 | 6B | 109 BPM | ||
| Don't Ever Take My Picture Down | The Tractors | D Minor | 9 | 7A | 113 BPM | ||
| You're Still Here | The Ozark Mountain Daredevils | A Major | 7 | 11B | 192 BPM | ||
| Darelene | T. Graham Brown | G Major | 4 | 9B | 115 BPM | ||
| A Real Good Way To Wind Up Lonesome | James House | F Major | 6 | 7B | 124 BPM | ||
| Bidin’ My Time | Chris Hillman | G Major | 6 | 9B | 114 BPM | ||
| Pick Me Up On Your Way Down | David Ball | G Major | 6 | 9B | 142 BPM | ||
| The Colorado Side | Russell Smith | A Major | 3 | 11B | 112 BPM | ||
| Friday Night Feelin' | Vern Gosdin | B Major | 7 | 1B | 107 BPM | ||
| Crowd Around the Corner | Earl Thomas Conley | E Major | 4 | 12B | 132 BPM | ||
| Don't You Even Think About Leaving | Dean Dillon | B Minor | 5 | 10A | 103 BPM | ||
| Shining Star (feat. Terence Ervan, Jen Leigh & Ryan Saranich) | Russell Smith | G Major | 5 | 9B | 85 BPM | ||
| Ain't Even Done With the Night | Inside Out | B Major | 7 | 1B | 115 BPM | ||
| The Trouble With Angels | Bobby and the Fineliners | B Minor | 5 | 10A | 88 BPM | ||
| Heartbeat In The Darkness | Russell Smith | A Major | 5 | 11B | 81 BPM | ||
| Givin' Water To A Drowning Man | Lee Roy Parnell | G Major | 8 | 9B | 122 BPM | ||
| That'll Be Me | Kevin Welch, Kelly Willis | A Major | 2 | 11B | 98 BPM | ||
| Third Rate Romance | Russell Smith | A Major | 6 | 11B | 114 BPM | ||
| White Lightnin' | George Jones, Mark Knopfler | G Major | 7 | 9B | 150 BPM | ||
| Restless | Sweethearts of the Rodeo | E Major | 9 | 12B | 118 BPM | ||
| Amanda | Dave Alvin | C Major | 5 | 8B | 156 BPM | ||
| Back In My Arms | Jason James | G Major | 3 | 9B | 86 BPM |