"Welcome To The Real World" by Don Davis had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Welcome To The Real World's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Matrix (Original Motion Picture Score)". In this album, this song's track order is #4. Based on our statistics, Welcome To The Real World's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Welcome To The Real World by Don Davis having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flynn Lives - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 3 | 3B | 108 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| Distortions | Underworld | A Minor | 4 | 8A | 120 BPM | ||
| Chosen Family | Sarah Schachner | D Major | 2 | 10B | 119 BPM | ||
| Mother Of God | John Tavener, Filharmonie Brno | G Major | 1 | 9B | 80 BPM | ||
| Agfa Montage | Johnny Klimek, Reinhold Heil | F♯ Major | 1 | 2B | 80 BPM | ||
| Bullet-Time | Don Davis | E Minor | 6 | 9A | 73 BPM | ||
| Arm & Eye Surgery | Brad Fiedel | D Major | 1 | 10B | 68 BPM | ||
| Death Shall Have No Dominion | Cliff Martinez | B♭ Major | 2 | 6B | 68 BPM | ||
| Final Dream | TOTO | G Major | 2 | 9B | 88 BPM | ||
| So Long Superman | John Ottman | A Minor | 2 | 8A | 137 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| He is Everywhere | Roque Baños | A Major | 1 | 11B | 63 BPM | ||
| The Nexus / A Christmas Hug | Dennis McCarthy | A♭ Major | 1 | 4B | 67 BPM | ||
| Capa's Jump | John Murphy | G Minor | 3 | 6A | 138 BPM | ||
| Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
| Facetus Malum | Mark Snow | G Minor | 0 | 6A | 73 BPM | ||
| The Artifact & Living | Michael Andrews | E♭ Major | 3 | 5B | 76 BPM | ||
| Human Nature | Éric Serra | B Minor | 1 | 10A | 88 BPM | ||
| Our Gang Goes To Cyberdyne - Remastered 2017 | Brad Fiedel | E♭ Major | 3 | 5B | 120 BPM | ||
| Adflatus | Mark Snow | A Minor | 1 | 8A | 77 BPM | ||
| Grief Demands An Answer | Jeff Beal | A♭ Major | 1 | 4B | 81 BPM | ||
| The Hotel Ambush | Don Davis | A Minor | 3 | 8A | 140 BPM | ||
| Damask Rose | Vangelis | D Minor | 0 | 7A | 121 BPM | ||
| The Drive To Paris | John Powell | C Major | 0 | 8B | 105 BPM |