"Adelaide 1994" by Peter Hinderthür had its release date on September 15, 2021. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Schumacher (Original Soundtrack from the Documentary)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Adelaide 1994's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adelaide 1994 by Peter Hinderthür having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nada Permanece | Verdes Atardeceres | B♭ Major | 2 | 6B | 95 BPM | ||
| Together Again | Stephen Rennicks | F Minor | 0 | 4A | 64 BPM | ||
| Asombros | Reino De Fuego | E Minor | 1 | 9A | 95 BPM | ||
| Drive to Parkersburg | Marcelo Zarvos | D Major | 1 | 10B | 103 BPM | ||
| Suleiman’s Scars | Ramin Djawadi | D Minor | 2 | 7A | 79 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Crying Conrad | Matthew Margeson, Dominic Lewis | E♭ Minor | 1 | 2A | 136 BPM | ||
| Holger Meins stirbt | Peter Hinderthür, Florian Tessloff | G Major | 0 | 9B | 79 BPM | ||
| L’Antica Pesa | Paolo Buonvino | C Minor | 1 | 5A | 160 BPM | ||
| Inner Spaces | Gavin Luke | A Major | 1 | 11B | 78 BPM | ||
| Full Moon | Andy Maranell, Andy Mardan | D♭ Major | 1 | 3B | 82 BPM | ||
| Transforming the Team | Christian Wilckens | F Major | 1 | 7B | 115 BPM | ||
| The Moons | Anže Rozman, Andrew Christie | D Minor | 1 | 7A | 87 BPM | ||
| Cape of Storms | Kevin Smuts | B Major | 1 | 1B | 75 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| 25th July 1978 | Steven Price | C Major | 2 | 8B | 114 BPM | ||
| Bluebird - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | A♭ Minor | 0 | 1A | 64 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| E Cosi Snello (arr. P. Hinderthur) | Etta Scollo, Peter Hinderthür, Fabio Tricomi, Quartett Otava Nota | G Minor | 3 | 6A | 111 BPM | ||
| Castigos Excesivos | Beaudrix | G Minor | 0 | 6A | 90 BPM | ||
| Idaho Hillside | Neil Davidge | D♭ Major | 0 | 3B | 81 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Leaving for the Trial | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| The Hunter | Matteo Zingales, Michael Lira, Andrew Lancaster | F♯ Minor | 1 | 11A | 142 BPM | ||
| Das verlorene Kind | Peter Hinderthür | B Minor | 0 | 10A | 65 BPM |