"Happy Hour" by Redshift had its release date on November 15, 2008. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Happy Hour's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Turning Towards Us". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Happy Hour is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Happy Hour by Redshift having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blip | KAPOSK | C Major | 2 | 8B | 144 BPM | ||
| Enchanted Mirrors | Lars Leonhard | B Minor | 5 | 10A | 180 BPM | ||
| Mempeki | Enki Anuna | E♭ Minor | 2 | 2A | 120 BPM | ||
| La Forma Exacta del Caos | VATI MAN | B Minor | 4 | 10A | 100 BPM | ||
| Bleed part 1 | Redshift | F Minor | 4 | 4A | 130 BPM | ||
| Aphelion | S1gns Of L1fe | A♭ Major | 4 | 4B | 160 BPM | ||
| Mystical Ocean | RonArt | A Minor | 3 | 8A | 115 BPM | ||
| Psychedelic Brunch, Pt. III | Klaus Schulze, Pete Namlook, Bill Laswell | B♭ Minor | 9 | 3A | 95 BPM | ||
| Lovepeace | Amyrak | G Major | 4 | 9B | 120 BPM | ||
| Early Water - Part 2 | Michael Hoenig, Manuel Göttsching | B♭ Major | 4 | 6B | 106 BPM | ||
| Frenza Silence | Nyxar void | A♭ Major | 2 | 4B | 95 BPM | ||
| Starfish Prime | Cosmic Cadence | B Minor | 4 | 10A | 100 BPM | ||
| Basic Principles | Kebu | G Minor | 7 | 6A | 165 BPM | ||
| Canada | Mthobosi | G Major | 4 | 9B | 91 BPM | ||
| end | WINTERZ | G Minor | 6 | 6A | 178 BPM | ||
| The Blue Dream | Peter Baumann | F Minor | 6 | 4A | 120 BPM | ||
| Lightless Leviathan Lullaby | Neurospore Drift | G Major | 3 | 9B | 147 BPM | ||
| Polar Lights | Nikos Georgiou | E Minor | 2 | 9A | 144 BPM | ||
| A La Vuelta De La Esquina | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | F♯ Minor | 2 | 11A | 130 BPM | ||
| Last Night | Naomi Chinenye, KOOKA | B Major | 5 | 1B | 100 BPM | ||
| Bioluminescent Forest | Dreamstate Logic | B♭ Minor | 1 | 3A | 176 BPM | ||
| Static Over Earth | Neon Laundry Club | B Minor | 4 | 10A | 100 BPM | ||
| Momentos Definitivos | Grandes Tardes | F♯ Minor | 1 | 11A | 110 BPM | ||
| Loneliness | Gracy Westwood, Grace Westwood | C Major | 1 | 8B | 68 BPM | ||
| Conscience | Cylelle | D Major | 1 | 10B | 135 BPM |