On January 1, 2005, the song "BAY LAB Interlude" was released by Strom Po. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 18 in BAY LAB Volume 1 by Various Artists. The popularity of BAY LAB Interlude is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of BAY LAB Interlude by Strom Po is Presto (very, very fast), since this song has a tempo of 188 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shine-O-Mite (Rag Poping) | Bootsy Collins | F♯ Major | 8 | 2B | 99 BPM | ||
| Situation #9 - Remastered | Club Nouveau | A Minor | 5 | 8A | 107 BPM | ||
| Molly | Ween | C Major | 8 | 8B | 100 BPM | ||
| Can You Feel It | Fat Boys | D Minor | 9 | 7A | 96 BPM | ||
| Undisco Kidd | Funkadelic | B Minor | 5 | 10A | 168 BPM | ||
| Deaf Hook-Up Connection | Don Blackman | D♭ Major | 6 | 3B | 110 BPM | ||
| TIBETAN DANCE (VERSION) | Ryuichi Sakamoto | D♭ Major | 4 | 3B | 97 BPM | ||
| The Cocoa Boys - 2020 Remaster | Prince | A Major | 9 | 11B | 106 BPM | ||
| At the Party | Treacherous Three | G Minor | 3 | 6A | 135 BPM | ||
| Bounce | Felix & Jarvis | B Minor | 5 | 10A | 114 BPM | ||
| Golden Years | Loose Ends | G Minor | 6 | 6A | 105 BPM | ||
| Magic's Wand | Whodini | A Major | 10 | 11B | 113 BPM | ||
| Too Much Monkey Business - Maxi Mix | Milli Vanilli | G Major | 4 | 9B | 110 BPM | ||
| 777-9311 | The Time | F♯ Minor | 6 | 11A | 123 BPM | ||
| Work Those Joints - Original Version | Westwood Cash | C Major | 3 | 8B | 121 BPM | ||
| Drums | The Tubes | D♭ Major | 7 | 3B | 106 BPM | ||
| Shot Out | Pinch | G Major | 5 | 9B | 117 BPM | ||
| Sixty-Five Thousand | Erasure | B♭ Minor | 6 | 3A | 98 BPM | ||
| (We Don't Need This) Fascist Groove Thang - electric lady sessions | LCD Soundsystem | A Minor | 9 | 8A | 151 BPM | ||
| The Witch | Funkadelic | G Minor | 5 | 6A | 103 BPM | ||
| El Coco Loco (So So Bad) | Coati Mundi | G Major | 8 | 9B | 105 BPM | ||
| Funkentown | Slave | A Major | 5 | 11B | 101 BPM | ||
| No Music | Skyy | C Minor | 8 | 5A | 121 BPM | ||
| This is Radio Clash | The Clash | A Major | 8 | 11B | 143 BPM | ||
| Atomic Dog | George Clinton | F♯ Minor | 5 | 11A | 108 BPM |