Beth Porter, Natalie Naudus's ' "Chapter 54 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System" was released on its scheduled release date, November 8, 2018. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 132 in the song's album "Reduce, Reuse, Reimagine [Sorting Out the Recycling System (Unabridged)]". In this album, this song's track order is #54. Furthermore, we believe that the track originated from Germany. Chapter 54 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 54 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System by Beth Porter, Natalie Naudus having a BPM of 55 with a half-time of 28 BPM and a double-time of 110 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Windward Away | Julie Fowlis, Mary Chapin Carpenter | F Major | 1 | 7B | 114 BPM | ||
| Green Mossy Banks | Sam Lee, Trans Voices | E♭ Major | 0 | 5B | 80 BPM | ||
| An Raibh Tu Ag An gCarraigh? (Were You at the Rock?) | Liam Ó Maonlaí | A Minor | 1 | 8A | 105 BPM | ||
| Meeting Is a Pleasant Place | Sam Lee, Trans Voices | E♭ Major | 0 | 5B | 80 BPM | ||
| The Worthy Wood Carol | Jackie Oates | G Minor | 1 | 6A | 138 BPM | ||
| Headwater | Salt House | F Major | 2 | 7B | 187 BPM | ||
| Don’t You Go A Rushing | Lisa Knapp | D♭ Major | 0 | 3B | 106 BPM | ||
| Buoy | Emma Hooper, Bethany Porter, Ian Vorley, Susan Lord, Red Carousel | C Major | 1 | 8B | 84 BPM | ||
| An Bonnán Buí | Goitse | G Major | 2 | 9B | 137 BPM | ||
| The Old Miner | Megson | B♭ Major | 0 | 6B | 111 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| What the Midnight is For | Louis De Bernières, Beth Porter, Ben Please | G Major | 2 | 9B | 85 BPM | ||
| Hares On The Mountain | Josienne Clarke, Ben Walker | F♯ Minor | 2 | 11A | 120 BPM | ||
| Cedar Swamp | Maddie Morris | G Major | 1 | 9B | 179 BPM | ||
| Faoiseamh a Gheobhadsa | Julie Fowlis, Éamon Doorley, Zoë Conway, John Mc Intyre | E Minor | 4 | 9A | 125 BPM | ||
| Wolf | Katherine Priddy | C Major | 1 | 8B | 92 BPM | ||
| Albion | The Brothers Gillespie | E Major | 2 | 12B | 97 BPM | ||
| William and Elsie | Salt House | G Major | 2 | 9B | 198 BPM | ||
| Ophelia | Karine Polwart, Steven Polwart, Inge Thomson | D♭ Minor | 8 | 12A | 120 BPM | ||
| Dh’èirich Mi Moch, b' Fheàrr Nach Do Dh’èirich | Julie Fowlis | E♭ Major | 1 | 5B | 87 BPM | ||
| Dreamers | Thea Gilmore | C Major | 2 | 8B | 102 BPM | ||
| The Sun also Rises | Johnny Flynn, Robert Macfarlane | B♭ Major | 4 | 6B | 129 BPM | ||
| In the Gloaming | Hannah James, Toby Kuhn | D Major | 3 | 10B | 102 BPM | ||
| Seesaw Dreams | Jess Vincent, Beth Porter, Marcel Rose, Reg Meuross | D Major | 3 | 10B | 164 BPM | ||
| Chorale | Emma Hooper, Susan Lord, Ian Vorley, Beth Porter, Red Carousel | A Major | 2 | 11B | 130 BPM |