"Victimæ pascali laudes (Sequentia)" by Wipo von Burgund, La Reverdie had its release date on 1993. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in La Reverdie's "Knights, Maids and Miracles: The Spring of Middle Ages" album is number 2 out of 93. On top of that, France appears to be the country where this track was created. Based on our statistics, Victimæ pascali laudes (Sequentia)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Victimæ pascali laudes (Sequentia) by Wipo von Burgund, La Reverdie to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 11 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | D Major | 1 | 10B | 132 BPM | ||
| Misa de Septuagesima: Kyrie XI (modo 1º) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | F Major | 0 | 7B | 85 BPM | ||
| Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | ||
| Fidelis Usque Ad Mortem | Gregorian Chants | A♭ Major | 2 | 4B | 110 BPM | ||
| Canticum canticorum I | Ars Poliphonica | G Minor | 1 | 6A | 72 BPM | ||
| Prochimen Sa Nu Intorci Fata Ta / Prokeimenon Do Not Hide Your Face from Me | Byzantion | E♭ Major | 2 | 5B | 135 BPM | ||
| Scriptural Meditation | Gregorian Chant, Monks of Ampleforth Abbey | A Major | 0 | 11B | 138 BPM | ||
| Monastic Silence for Evening Prayer | Gregorian Chanting Monks, Oxford Camerata, The Gregorian Chants | F Major | 1 | 7B | 93 BPM | ||
| Fountain of Life - pt II | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Cantores Lux Dei | F♯ Major | 0 | 2B | 100 BPM | ||
| Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
| Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
| The Service of the Furnace: IV. Conclusion of the First Canticle | Xenos Korones, Cappella Romana, Alexander Lingas | F Major | 2 | 7B | 64 BPM | ||
| Alléluia haec est | Coro Francescano di Assisi | F Minor | 1 | 4A | 73 BPM | ||
| Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis" | Plain-chant, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 136 BPM | ||
| Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
| Antiphona: Gratias tibi Deus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
| Opening Blessing / Paschal Troparian / And the Great Litany | St. John the Baptist Monastery Choir | G Minor | 2 | 6A | 170 BPM | ||
| Evangelium - De Caeco Nato | Gregorian Chant, Sacred Scripture, Alexander M. Schweitzer, Consortium Vocale | C Major | 1 | 8B | 70 BPM | ||
| Salva - Nos Com O Teu Cantico - Nunc Dimittis, Bençao Noctem Quietam | Cantos Gregorianos | A Minor | 0 | 8A | 73 BPM | ||
| El Evangelio | Monjes Del Monasterio De San Pedro | A Major | 2 | 11B | 72 BPM | ||
| Gregorian Chants Peaceful Benedictine | Wonderworker, Harpa Dei, The Choir of Eparchy of Tripoli | A Minor | 1 | 8A | 130 BPM | ||
| Valley of Seraphic Song | Wonderworker, The Choir of Eparchy of Tripoli | D Major | 0 | 10B | 134 BPM | ||
| Super Flumina Babylonis | Wonderworker, The Choir of Eparchy of Tripoli | C Major | 1 | 8B | 72 BPM | ||
| Ordo Devotionis | Choir Of St. Abuscus, Chants of Eternity | F Major | 1 | 7B | 69 BPM |