WYATT LOGAN's 'Gravel Road Confessions' had a release date set for December 5, 2025. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Gravel Road Confessions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in WYATT LOGAN's "Heartland Anthem" album is number 15 out of 26. Gravel Road Confessions is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gravel Road Confessions by WYATT LOGAN to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghost Town | Big A & The Red River Experience | A♭ Major | 3 | 4B | 144 BPM | ||
| Sleepless In A Hotel Room | Austin Luke, Blake Combs | A♭ Major | 3 | 4B | 144 BPM | ||
| The Mixer | Josh McKay | A♭ Major | 6 | 4B | 76 BPM | ||
| Coverage | Austin Brown | A♭ Major | 3 | 4B | 144 BPM | ||
| Ain't Wasting No More Days | John F Martin | G Major | 5 | 9B | 146 BPM | ||
| Front porch swing | Chris Robertson | E Major | 6 | 12B | 150 BPM | ||
| Crossroads | Luke Prater | B♭ Major | 8 | 6B | 144 BPM | ||
| No One Else | Messages from the heart | A♭ Major | 3 | 4B | 148 BPM | ||
| Breathe You In | Chris Warwick | B♭ Major | 3 | 6B | 140 BPM | ||
| My Texas Town | Myke Miller | E Minor | 2 | 9A | 122 BPM | ||
| Time Slipped Away | Buddy Boy | F Major | 5 | 7B | 151 BPM | ||
| A Phone Call to Heaven | Country Kane | D♭ Major | 5 | 3B | 150 BPM | ||
| I Miss | John F Martin | A♭ Major | 3 | 4B | 144 BPM | ||
| Diesel And Dogwood | caseyrsummers | F Major | 3 | 7B | 154 BPM | ||
| He's Calling My Name | Timothy Huddleston | A♭ Major | 3 | 4B | 144 BPM | ||
| Close Enough to Forever | WYATT LOGAN | E♭ Major | 4 | 5B | 154 BPM | ||
| Still Standing | Mason Crow | A♭ Major | 3 | 4B | 144 BPM | ||
| Kissing in the Rain | Boe Dalton | E♭ Major | 3 | 5B | 154 BPM | ||
| Cold Hands | Shane Porter | A♭ Major | 3 | 4B | 144 BPM | ||
| Beneath the Willow Tree | Treble Maker | B♭ Minor | 3 | 3A | 120 BPM | ||
| Unravlin' Chains (Outlaw Cut) | Dan Harman | F♯ Minor | 4 | 11A | 139 BPM | ||
| Ties That Bind | Treble Maker | A♭ Major | 5 | 4B | 146 BPM | ||
| Drunk Dial Heaven | Waylon Kane | A♭ Major | 2 | 4B | 72 BPM | ||
| Things They Told Me Before They Left | Sam Sagewood | D Major | 2 | 10B | 146 BPM | ||
| Man In Silence | Storm Chant | E♭ Minor | 4 | 2A | 142 BPM |