"Redemption" by Mitchell Broom had its release date on May 9, 2017. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Redemption only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Redemption is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Redemption by Mitchell Broom having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coloss | Dmitry Mityukhin, David Yousefi, InfraSound Music | C Major | 7 | 8B | 100 BPM | ||
| Cryptwalker | Shades of the Abyss | G Minor | 4 | 6A | 86 BPM | ||
| Phoenix | Sebastian Böhm | D Minor | 4 | 7A | 120 BPM | ||
| Farewell Life (Arn Andersson Remix) | Christoffer Hagman, Arn Andersson, Nights Amore | B♭ Minor | 1 | 3A | 115 BPM | ||
| Planinski Briz | Sybrid | D Major | 6 | 10B | 75 BPM | ||
| Last Light | Matias Puumala | A Minor | 7 | 8A | 89 BPM | ||
| We Are Gods | Audiomachine | A♭ Major | 7 | 4B | 75 BPM | ||
| This Is Why I Was Born | 8Dawn | F Minor | 5 | 4A | 90 BPM | ||
| Never Surrender | Phantom Power | G Minor | 5 | 6A | 132 BPM | ||
| Redemption | Mitchell Broom | D Minor | 3 | 7A | 112 BPM | ||
| Afterlight | Eternal Eclipse | G Minor | 3 | 6A | 87 BPM | ||
| Accordance | PostHaste Music | G Minor | 6 | 6A | 123 BPM | ||
| I'm Vengeance | Brian Delgado, Epic Music World | C Major | 5 | 8B | 62 BPM | ||
| Für Elise (Epic Trailer Version) | Hidden Citizens | D Major | 4 | 10B | 100 BPM | ||
| Be Free | Twelve Titans Music | C Major | 4 | 8B | 120 BPM | ||
| Parallel Proximity | Colossal Trailer Music | G Major | 6 | 9B | 164 BPM | ||
| Weapon of Vengeance | Glory Oath + Blood, Robert Leslie Bennett | G Major | 7 | 9B | 90 BPM | ||
| Atonement | Brand X Music | F♯ Minor | 3 | 11A | 116 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| I'm Not Buried Yet | Aram Zero | F Minor | 7 | 4A | 100 BPM | ||
| Now I Take Everything from You (Trailer #1) | Dean Valentine | F Major | 3 | 7B | 110 BPM | ||
| Endless Bonds and Broken Promises | Krale | D♭ Minor | 2 | 12A | 88 BPM | ||
| Darkness Below | Red Moth, Beyond Awakening | D Minor | 4 | 7A | 130 BPM | ||
| Interstellar | Full Tilt | G Minor | 4 | 6A | 140 BPM | ||
| Manifesto | Secession Studios, Greg Dombrowski | A♭ Minor | 5 | 1A | 110 BPM |