ISKCON Bangalore's ' "Narasimha Shringar Arati" was released on its scheduled release date, September 5, 2023. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Sadhana". In this album, this song's track order is #6. Narasimha Shringar Arati is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Narasimha Shringar Arati by ISKCON Bangalore having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ugram Veeram Maha Vishnum | ISKCON Bangalore | F Minor | 6 | 4A | 146 BPM | ||
| Rudra Sukta | Ved Vrind | B Major | 2 | 1B | 70 BPM | ||
| Shri Ramchandra Kripalu Bhajman | Komal Pareek, Shailza Vyas | E Major | 7 | 12B | 180 BPM | ||
| Ramachandraya Janaka | Sruthi Raamesh | D Major | 5 | 10B | 120 BPM | ||
| Gananayakaya | Sudharshan Ajay, Kalyani Gowri Shankar | F Minor | 7 | 4A | 108 BPM | ||
| Krishna Mantra | Play Devotional | D Minor | 2 | 7A | 91 BPM | ||
| Kavacham Narasimha | ISKCON Bangalore | F Minor | 6 | 4A | 172 BPM | ||
| Vishnu Stotram | Manikka Vinayagam, Poovai Senguttuvan, R. Vijayalakshmi, R. Chitra | E Major | 4 | 12B | 49 BPM | ||
| OM NAMOH BHAGVATE VASUDEVAYA | Nirmalya Roy | D♭ Major | 6 | 3B | 82 BPM | ||
| Ishtu Dina Ee Vaikuntha | ISKCON Bangalore | A♭ Minor | 8 | 1A | 134 BPM | ||
| Naam Shiv Dhun | Trisha Parui | B♭ Minor | 6 | 3A | 99 BPM | ||
| Shri Hari Stotram | Play Devotional | C Major | 1 | 8B | 136 BPM | ||
| Sakalche Shlok | Vajrang Aphale | B Major | 4 | 1B | 110 BPM | ||
| Linga Bhairavi Stuthi | Sadhguru | D♭ Major | 1 | 3B | 104 BPM | ||
| Shree Siddhivinayak Mantra | Aks & Lakshmi | B Major | 7 | 1B | 126 BPM | ||
| Saraswati Namastubhyam | Aks & Lakshmi | A♭ Major | 5 | 4B | 117 BPM | ||
| Aigiri Nandini Power Mode (Mahishasura Mardini Stotram) | Sowmya Raoh | C Major | 3 | 8B | 100 BPM | ||
| Ganga Dharay Shiv Ganga Dharay | Nandlal Chhanga | B♭ Minor | 10 | 3A | 109 BPM | ||
| Ashutosh Shashank Shekhar | TANVI SENJALIYA | D♭ Major | 2 | 3B | 80 BPM | ||
| Nand Ke Ananda | ISKCON Bangalore | D Major | 5 | 10B | 169 BPM | ||
| Himalay Ke Sar Ka Shringar Tum Ho | Tanvi Senjaliya | E♭ Major | 5 | 5B | 114 BPM | ||
| Acharyakrutam Shatpadeestotram | G. Gayathri Devi, Saindhavi, Priya, R. Shruti | F♯ Minor | 4 | 11A | 132 BPM | ||
| 108 Names of Lord Shiva | Sunil Dhyani | F Minor | 4 | 4A | 132 BPM | ||
| Yam Yam Yam Yaksha Roopam (Maha Kalabhairav Ashtakam) | Anuratn Rai, Ravi Khanna | D Major | 7 | 10B | 95 BPM | ||
| Ganga Dharay | Rohan Jaiswal, Ashutosh Anand | B Minor | 7 | 10A | 98 BPM |