"Fog, At Least, Is Left" by Celer had its release date on September 3, 2021. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Celer's "In Light Of Blues" album is number 3 out of 12. Based on our statistics, Fog, At Least, Is Left's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fog, At Least, Is Left by Celer to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breeze from Mt. Rokko | Shingo Mimura | A Major | 5 | 11B | 144 BPM | ||
| Returning After Leaving | ILUITEQ | F Minor | 2 | 4A | 89 BPM | ||
| Liberamente | Dawn Chorus and the Infallible Sea | E♭ Major | 2 | 5B | 76 BPM | ||
| Ouverture De Peter Hodge Transport | Kyle Bobby Dunn | F♯ Major | 2 | 2B | 66 BPM | ||
| axtupaku | Michiru Aoyama | B Major | 0 | 1B | 74 BPM | ||
| Lif | Tobias Hellkvist | D♭ Major | 1 | 3B | 67 BPM | ||
| Ngs549672 | Hirotaka Shirotsubaki | D♭ Major | 1 | 3B | 112 BPM | ||
| Available Light | Adam Pacione | D Major | 1 | 10B | 137 BPM | ||
| Watermusic II: Section VI | William Basinski | A Minor | 1 | 8A | 68 BPM | ||
| Gathering and Dispersion | Chihei Hatakeyama | C Major | 1 | 8B | 69 BPM | ||
| Narrative Forms | Innesti | E Minor | 4 | 9A | 169 BPM | ||
| Inland | SVLBRD | B Minor | 3 | 10A | 85 BPM | ||
| Postponed Mindfulness | Olan Mill | D Major | 1 | 10B | 67 BPM | ||
| Seraph V | How to Disappear Completely | C Major | 1 | 8B | 140 BPM | ||
| Fall (Grace Paley) | Hirotaka Shirotsubaki | A♭ Major | 0 | 4B | 137 BPM | ||
| Episode One: One Drop for Michael | Tomasz Bednarczyk | B♭ Minor | 1 | 3A | 73 BPM | ||
| Driftdown Procedure | Dreone | G Major | 2 | 9B | 73 BPM | ||
| Moist Wood | Rhucle | E♭ Major | 0 | 5B | 71 BPM | ||
| How to Get Dry Again? | Wouter Veldhuis | B Minor | 0 | 10A | 71 BPM | ||
| After All Time | Celer | E♭ Major | 2 | 5B | 76 BPM | ||
| B15-A | Loscil | D♭ Major | 0 | 3B | 137 BPM | ||
| Composition Of Flowers (Excerpt) | Sarah Davachi | D♭ Major | 2 | 3B | 192 BPM | ||
| Heaven's Breath | Ruehl | E♭ Minor | 4 | 2A | 87 BPM | ||
| Stave Peak | Loscil | B♭ Minor | 1 | 3A | 75 BPM | ||
| Side A, Pt. 1 | Hotel Neon | C Major | 2 | 8B | 84 BPM |