Ι. Μ. Βατοπαιδίου's ' "Τον νυμφώνα Σου βλέπω, συνέχεια" was released on its scheduled release date, March 27, 2012. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Μεγάλη Τρίτη, so we believe that "Τον νυμφώνα Σου βλέπω, συνέχεια" is a single. Based on our statistics, Τον νυμφώνα Σου βλέπω, συνέχεια's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Τον νυμφώνα Σου βλέπω, συνέχεια by Ι. Μ. Βατοπαιδίου is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 117 | Darkmed | D Major | 2 | 10B | 134 BPM | ||
| Κύριε Αναβαίνοντός Σου Εν Τω Σταυρώ | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM | ||
| It Is Truly Fitting and Megalynaria | Timothy Diwema, Athonite Friends | G Major | 2 | 9B | 166 BPM | ||
| Evlogitaria | Fr. Nikodimos Kabarnos | D Minor | 3 | 7A | 85 BPM | ||
| Τα Πάθη Τα Σεπτά | Βυζαντινή Ορχήστρα Αθηνών | D♭ Major | 3 | 3B | 173 BPM | ||
| Μεθ’ Ἡμῶν Ὁ Θεός, Ἦχος Πλ. Β' | Γεώργιος Θεοδωρίδης | A♭ Major | 3 | 4B | 92 BPM | ||
| Idou O Nimfios (Arrival Of The Christ) | Nikos Amorgianos, Byzantine Renaissance | F Major | 4 | 7B | 132 BPM | ||
| Δούλοι Κύριον, Ηχος Πλ. Δ' | Thrassyvoulos Stanitsas | E Minor | 3 | 9A | 85 BPM | ||
| Ειρμός Της Θ΄ Ωδής | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E♭ Major | 1 | 5B | 98 BPM | ||
| Makarismi | Choir of Vatopedi Fathers | G Major | 2 | 9B | 72 BPM | ||
| Αίτησις, Κοντάκιον, Προκείμενον | Choir of Simonopetra | F♯ Major | 4 | 2B | 86 BPM | ||
| Το Κοντάκιο, ο Οίκος και το Συναξάριο | Ι. Μ. Βατοπαιδίου | B Major | 3 | 1B | 135 BPM | ||
| The Small Canon of Supplication: Ode IV in English | Psaltiki | B♭ Major | 2 | 6B | 107 BPM | ||
| “Ίδωμεν Το Φώς Το Αληθινόν…” | Χορός Βατοπαιδινών Πατέρων | A♭ Major | 3 | 4B | 62 BPM | ||
| Ευλογητός Ει, Κύριε.. | Ιερομόναχος Ιγνάτιος | C Major | 1 | 8B | 136 BPM | ||
| Δεύτε ίδωμεν πιστοί | JOSEPH PALIOURAS | A Major | 2 | 11B | 186 BPM | ||
| Οίκος και Συναξάριο | Ι. Μ. Βατοπαιδίου | C Major | 4 | 8B | 127 BPM | ||
| În orașul Vitleem | Mihail Bucă | A Major | 4 | 11B | 108 BPM | ||
| ΧΡΙΣΤΟΣ ΑΝΕΣΤΗ | Monadiki Politeia | D♭ Major | 1 | 3B | 171 BPM | ||
| “Είη το όνομα…” | Χορός Βατοπαιδινών Πατέρων | A♭ Major | 4 | 4B | 77 BPM | ||
| Η η’ ωδή του Κανόνος μετά της Καταβασίας | Ι. Μ. Βατοπαιδίου | G Minor | 3 | 6A | 134 BPM | ||
| Ειρινικά, Ηχ. Πλ. Δ΄ | Ρωμαίϊκο Σύνολο | G Major | 3 | 9B | 127 BPM | ||
| Η Παρθένος σήμερον... ήχος γ΄ Κοντάκιον Εορτής | Σύλλογος Μουσικοφίλων Κωνσταντινουπόλεως | D♭ Major | 2 | 3B | 84 BPM | ||
| Antiphon XIV (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 3 | 3B | 132 BPM | ||
| Exapostilarion (Mode III) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | E Major | 4 | 12B | 137 BPM |