TOKIO23's 'キィープ・オン・ラブィング' had a release date set for 1986. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. キィープ・オン・ラブィング's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in メガゾーン23 PARTII<音楽篇>, so we believe that "キィープ・オン・ラブィング" is a single. Based on our statistics, キィープ・オン・ラブィング's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of キィープ・オン・ラブィング by TOKIO23 is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| CHASE - LIVE | Masayoshi Takanaka | A Major | 8 | 11B | 150 BPM | ||
| その道化師に涙のメイクは要らない | 大谷幸 | A Major | 7 | 11B | 130 BPM | ||
| Nigai Syori | 渡辺岳夫 | A Minor | 4 | 8A | 85 BPM | ||
| ヒイロ 決意の時 | 大谷幸 | G Minor | 4 | 6A | 75 BPM | ||
| 失われた伝説を求めて | アンディ | F Minor | 7 | 4A | 144 BPM | ||
| 背中ごしにセンチメンタル | 宮里久美 | A♭ Minor | 7 | 1A | 148 BPM | ||
| ヤマトの反撃 - 「ヤマトよ永遠に」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | E♭ Major | 6 | 5B | 136 BPM | ||
| Long Distance Call | 松本孝弘 | G Minor | 6 | 6A | 150 BPM | ||
| SERVANT | Toshihiko Sahashi | C Major | 2 | 8B | 90 BPM | ||
| イリテーション | TOKIO23 | B♭ Minor | 2 | 3A | 137 BPM | ||
| 悲しみ色の砂時計 | 大谷幸 | C Major | 4 | 8B | 130 BPM | ||
| Solid Sky | Michiya Haruhata | D Major | 7 | 10B | 126 BPM | ||
| 『226』 EPILOGUE | Akira Senju | A Minor | 3 | 8A | 185 BPM | ||
| PURE GREEN | CASIOPEA | G Major | 8 | 9B | 104 BPM | ||
| 虚栄の街 | Naoya Matsuoka | G Major | 7 | 9B | 161 BPM | ||
| Flight - Orchestra Version | SEGA SOUND TEAM | A Minor | 3 | 8A | 70 BPM | ||
| Raw Energy | David Reilly, John Devereaux | A Minor | 7 | 8A | 146 BPM | ||
| Close | Naoki Sato | A Major | 9 | 11B | 127 BPM | ||
| Captain Tsubasa 1983 Misugi Jun Theme | Sound Unleashed | D Major | 9 | 10B | 128 BPM | ||
| FANTASTIC CITY(1989年)(蝶野正洋 選手 テーマ) | 鈴木修 | F♯ Major | 0 | 2B | 80 BPM | ||
| 炎のドラゴン | 風のオーケストラ | B♭ Major | 4 | 6B | 138 BPM | ||
| 駆け抜けるGX | 樋口康雄 | C Minor | 9 | 5A | 144 BPM | ||
| Dog fight | Yoko Kanno | A♭ Minor | 0 | 1A | 123 BPM | ||
| The Desolte Smell of Earth | 桜庭 統 | A Major | 6 | 11B | 75 BPM | ||
| 長い眠り | 松山祐士 | F Major | 4 | 7B | 107 BPM |