Mindy Smith's ' "Tin Can" was released on its scheduled release date, 2012. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Tin Can's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mindy Smith's "Mindy Smith" album is number 5 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Tin Can is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tin Can by Mindy Smith to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Want You to Be My Love | Over the Rhine | G Major | 3 | 9B | 122 BPM | ||
| Me and You | The Alternate Routes | C Major | 2 | 8B | 93 BPM | ||
| From Where I'm Standing | Schuyler Fisk | D Major | 8 | 10B | 132 BPM | ||
| Easily Bruised | Matthew Barber | E Major | 5 | 12B | 114 BPM | ||
| The Trouble with Wanting | Joy Williams | D Major | 2 | 10B | 139 BPM | ||
| Just You Tonight | Lucy Kaplansky | C Major | 1 | 8B | 132 BPM | ||
| My Father's Waltz | Hem | B Major | 3 | 1B | 133 BPM | ||
| My Love Will Follow You | Richard Shindell | G Major | 3 | 9B | 179 BPM | ||
| Who Holds Your Hand | Patty Larkin | F Major | 5 | 7B | 114 BPM | ||
| Everything Is Brilliant | Rosi Golan | G Minor | 3 | 6A | 90 BPM | ||
| No Such Thing As Time | Elenowen | B Major | 6 | 1B | 94 BPM | ||
| One and the Same | Gareth Dunlop, Kim Richey | A♭ Major | 4 | 4B | 75 BPM | ||
| Travellin' Shoes | Ruth Moody | B♭ Major | 3 | 6B | 162 BPM | ||
| Human After All | Michael Logen, Ruby Amanfu | D Major | 2 | 10B | 76 BPM | ||
| Front Porch | Joy Williams | D♭ Major | 2 | 3B | 124 BPM | ||
| Good as Gold | Dala | A Major | 2 | 11B | 137 BPM | ||
| Dead End Driving (2009) | Ari Hest | F♯ Major | 5 | 2B | 76 BPM | ||
| Hold You Dear | The Secret Sisters | G Major | 2 | 9B | 73 BPM | ||
| Mint Condition | Caroline Spence | C Major | 2 | 8B | 111 BPM | ||
| Still Life | Sarah Jarosz | A♭ Minor | 3 | 1A | 142 BPM | ||
| Pacific Street | Hem | B Major | 3 | 1B | 133 BPM | ||
| This Town Still Talks About You | Natalie Hemby | C Major | 5 | 8B | 96 BPM | ||
| I’m Making A Home - Acoustic | Orián Veld | B Major | 3 | 1B | 133 BPM | ||
| Go | Glen Phillips | A Major | 2 | 11B | 77 BPM | ||
| Bring On The Wonder | Susan Enan | G Minor | 3 | 6A | 103 BPM |