Rolo Tomassi's 'C Is for Calculus' had a release date set for April 17, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 36 in Eternal Youth by Rolo Tomassi. In terms of popularity, C Is for Calculus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of C Is for Calculus by Rolo Tomassi is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remember Us Better Than We Are | Birds in Row | A♭ Major | 6 | 4B | 173 BPM | ||
| Heat Death | State Faults | B Minor | 6 | 10A | 100 BPM | ||
| Satellites | VOWER | C Major | 9 | 8B | 175 BPM | ||
| Young | MØL | E♭ Major | 10 | 5B | 150 BPM | ||
| From the Dust of This Planet | Car Bomb | E♭ Major | 9 | 5B | 84 BPM | ||
| Interloper | LLNN | G Major | 5 | 9B | 103 BPM | ||
| Diorama | MØL | E Major | 7 | 12B | 140 BPM | ||
| When the Moment's Gone | SikTh | D♭ Major | 9 | 3B | 132 BPM | ||
| Bland Street Bloom | SikTh | B♭ Minor | 10 | 3A | 106 BPM | ||
| Feast Is Over | Johnny Booth | E Minor | 10 | 9A | 160 BPM | ||
| Cambrian II: Eternal Recurrence | The Ocean | B Minor | 9 | 10A | 128 BPM | ||
| Godspeed | The Contortionist | A Minor | 9 | 8A | 180 BPM | ||
| Death Curl | Hidden Mothers, Pleiades | D♭ Major | 9 | 3B | 127 BPM | ||
| Palo Santo | State Faults | B Minor | 6 | 10A | 100 BPM | ||
| We Count so We Don't Have to Listen | Birds in Row | A Minor | 9 | 8A | 184 BPM | ||
| Language II: Conspire | The Contortionist | F♯ Major | 9 | 2B | 176 BPM | ||
| Dissect Yourself | Car Bomb | D♭ Major | 10 | 3B | 105 BPM | ||
| Wounds Like Wires | We Never Learned To Live | F Minor | 9 | 4A | 92 BPM | ||
| Icarus | fromjoy | A♭ Minor | 7 | 1A | 114 BPM | ||
| Mondrian Was a Liar | Botch | G Major | 10 | 9B | 159 BPM | ||
| On a Superposition | Snooze | F Major | 9 | 7B | 176 BPM | ||
| Being Able to Feel Nothing | Oathbreaker | F♯ Minor | 8 | 11A | 112 BPM | ||
| Not Enough | Julie Christmas | B Major | 9 | 1B | 100 BPM | ||
| Primal Directive | The Contortionist | A♭ Minor | 9 | 1A | 112 BPM | ||
| Dispirit | Heriot | F♯ Major | 10 | 2B | 140 BPM |