Underoath's 'We Are The Involuntary' had a release date set for January 1, 2008. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Underoath's "Lost In The Sound Of Separation" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, We Are The Involuntary's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Are The Involuntary by Underoath to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Pretend Like It's 1910 | Catherine | A♭ Major | 10 | 4B | 128 BPM | ||
| Charmer | This Or The Apocalypse | B Major | 10 | 1B | 150 BPM | ||
| Shadetree Mechanics | The Bled | B Major | 9 | 1B | 116 BPM | ||
| It's Dangerous Business Walking Out Your Front Door | Underoath | A Minor | 10 | 8A | 135 BPM | ||
| Writing On The Walls | Underoath | D Minor | 10 | 7A | 92 BPM | ||
| The More You Talk the Less I Hear | Armor For Sleep | D Minor | 10 | 7A | 167 BPM | ||
| Difference of Vengeance and Wrongs | Misery Signals | E♭ Major | 8 | 5B | 194 BPM | ||
| About a Burning Fire | Blindside | E♭ Minor | 8 | 2A | 92 BPM | ||
| Five Years | Misery Signals | A♭ Major | 9 | 4B | 173 BPM | ||
| The Poor And The Prevalent | Emery | C Minor | 9 | 5A | 166 BPM | ||
| Imaginary Enemy | Circa Survive | A Minor | 9 | 8A | 75 BPM | ||
| The Servants Are Tongues Of Fire, Pt. 2 | Agraceful | B♭ Minor | 10 | 3A | 98 BPM | ||
| Anchors | Secret & Whisper | G Minor | 10 | 6A | 92 BPM | ||
| Hopes Anchor | The Color Morale | F♯ Minor | 10 | 11A | 152 BPM | ||
| Caves | Chiodos | F Major | 10 | 7B | 165 BPM | ||
| Things Too Visible To See | Of Machines | D Minor | 9 | 7A | 170 BPM | ||
| Catch Myself Catching Myself | Underoath | D Major | 10 | 10B | 93 BPM | ||
| The Ones | Hopesfall | D Minor | 8 | 7A | 77 BPM | ||
| A Moment Suspended In Time | Underoath | D Minor | 10 | 7A | 176 BPM | ||
| The Portrait | Oceana | D♭ Minor | 9 | 12A | 153 BPM | ||
| Sailing In The Dark Isn't Smart Kid! | Emarosa | A Major | 8 | 11B | 140 BPM | ||
| The Entire World Is Counting On Me And They Don't Even Know It | Norma Jean | F♯ Minor | 8 | 11A | 117 BPM | ||
| Project Mayhem | Finch | E Major | 9 | 12B | 121 BPM | ||
| Claws Of A God | Oh, Sleeper | F Minor | 9 | 4A | 125 BPM | ||
| Worse Than A Fairy Tale | Drop Dead, Gorgeous | F Minor | 10 | 4A | 82 BPM |