"The Mass Effect" by Joshua Mosley, David Kates had its release date on November 13, 2012. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Mass Effect Paragon Lost Original Motion Picture Soundtrack" album is number 10 out of 27. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The Mass Effect is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Mass Effect by Joshua Mosley, David Kates to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ash - Bonus Track | Stephen Barton | F Major | 5 | 7B | 92 BPM | ||
| Setting Sun | Alain Johannes | A♭ Major | 2 | 4B | 120 BPM | ||
| The Final Lesson | John Paesano | B♭ Minor | 1 | 3A | 137 BPM | ||
| Founders' Island | Nick Arundel | C Minor | 3 | 5A | 150 BPM | ||
| Healing the World | John Paesano | A♭ Major | 3 | 4B | 90 BPM | ||
| Shadow Across the Land | Michael Bross | D Major | 1 | 10B | 66 BPM | ||
| They're Still Out There | Mac Quayle | D Major | 5 | 10B | 120 BPM | ||
| Montgomery's Golf Swamp | Allen Simpson | G Minor | 7 | 6A | 120 BPM | ||
| Now They Are Coming | Pawel Blaszczak | B♭ Minor | 8 | 3A | 120 BPM | ||
| Sybil’s | Jared Emerson-Johnson | A♭ Major | 5 | 4B | 152 BPM | ||
| Down to Business - Bonus Track | Stephen Barton | F♯ Major | 7 | 2B | 92 BPM | ||
| Carriage Ride | Joshua Mosley | E Major | 2 | 12B | 70 BPM | ||
| His Soul Was Free from Sin | Dan Romer | D♭ Major | 9 | 3B | 93 BPM | ||
| What Might Have Been | Jesper Kyd | F Major | 9 | 7B | 156 BPM | ||
| Timequake | Wilbert Roget, II | G Major | 6 | 9B | 180 BPM | ||
| An Ominous Stroll | Kristofer Maddigan | C Major | 1 | 8B | 100 BPM | ||
| Bendy and the Ink Machine Chapter 5 - Ending Theme - Extended Instrumental Version | Piano Vampire | A Minor | 5 | 8A | 125 BPM | ||
| Unstable | Michel F. April | F Minor | 3 | 4A | 72 BPM | ||
| The Warmongers | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Lady Luctopus | Peter McConnell | B♭ Minor | 5 | 3A | 102 BPM | ||
| Welcome to Las Almas | Sarah Schachner | D Major | 1 | 10B | 100 BPM | ||
| Man in the Mirror | Richard Cheese, Lounge Against The Machine | G Major | 3 | 9B | 126 BPM | ||
| Frozen Ambush | OperatorDrewski | G Major | 6 | 9B | 162 BPM | ||
| Making Space | Douglas Holmquist | A Major | 1 | 11B | 144 BPM | ||
| Smell the Gunpowder | Alexey Omelchuk | A♭ Major | 8 | 4B | 103 BPM |