On January 1, 1999, the song "High-Tech Redneck" was released by George Jones. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. High-Tech Redneck's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The George Jones Collection". In this album, this song's track order is #10. Based on our statistics, High-Tech Redneck's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With High-Tech Redneck by George Jones having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Always Been Crazy | Waylon Jennings | A Major | 7 | 11B | 110 BPM | ||
| Uncle Pen | Ricky Skaggs | A Major | 6 | 11B | 130 BPM | ||
| Guitar Town | Steve Earle | G Major | 5 | 9B | 166 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| The Devil Made Me Do It the First Time | Billy Joe Shaver | A Major | 6 | 11B | 142 BPM | ||
| Lovin' On Backstreets | MEL STREET | B Major | 6 | 1B | 110 BPM | ||
| God Must Be A Cowboy | Dan Seals | A♭ Major | 3 | 4B | 115 BPM | ||
| Where Are You Now | Clint Black | F Major | 3 | 7B | 149 BPM | ||
| Give It Away | George Strait | F Major | 6 | 7B | 148 BPM | ||
| I've Cried My Last Tear For You | Ricky Van Shelton | G Major | 5 | 9B | 142 BPM | ||
| Lookin' for Love | Johnny Lee | D Major | 4 | 10B | 124 BPM | ||
| The Carroll County Accident | Porter Wagoner | G Major | 4 | 9B | 93 BPM | ||
| I'm Over You | Keith Whitley | E Major | 3 | 12B | 106 BPM | ||
| Next To You, Next To Me | Shenandoah | A♭ Major | 7 | 4B | 94 BPM | ||
| How a Cowgirl Says Goodbye | Tracy Lawrence | F Major | 6 | 7B | 191 BPM | ||
| Tennessee Whiskey | George Jones | F♯ Major | 3 | 2B | 105 BPM | ||
| Amarillo By Morning | George Strait | A Major | 4 | 11B | 121 BPM | ||
| Drinkin' Thing | Gary Stewart | F Major | 4 | 7B | 104 BPM | ||
| I Was Country When Country Wasn't Cool - Live At The Roy Acuff Theater Nashville, TN, 1981 | Barbara Mandrell, George Jones | C Major | 4 | 8B | 105 BPM | ||
| Simple Man | The Charlie Daniels Band | A Major | 4 | 11B | 79 BPM | ||
| Coca-Cola Cowboy | Bill Phillips | F Major | 4 | 7B | 122 BPM | ||
| Haunted Heart | Sammy Kershaw | D Major | 4 | 10B | 168 BPM | ||
| If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band) | Alabama | A Major | 6 | 11B | 110 BPM | ||
| The Jamestown Ferry | Tanya Tucker | B♭ Major | 3 | 6B | 124 BPM | ||
| Country Bumpkin | Cal Smith | G Major | 3 | 9B | 94 BPM |