Heinrich Scheidemann (after John Dowland) [1595 - 1663]
Michael Bennett, Heinrich Scheidemann
Mannerism, Organ Music from 1550 to 1650
5:17 December 28, 2023
BPM
63
Key
D♭ Minor
Camelot
12A

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Heinrich Scheidemann (after John Dowland) [1595 - 1663] by Michael Bennett, Heinrich Scheidemann Song Details

"Heinrich Scheidemann (after John Dowland) [1595 - 1663]" by Michael Bennett, Heinrich Scheidemann had its release date on December 28, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Bennett's "Mannerism, Organ Music from 1550 to 1650" album is number 9 out of 13. Heinrich Scheidemann (after John Dowland) [1595 - 1663] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Heinrich Scheidemann (after John Dowland) [1595 - 1663] by Michael Bennett, Heinrich Scheidemann to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-11.748 dB
Acousticness
95%
Danceability
13%
Energy
27%
Instrumentalness
92%
Liveness
14%
Loudness
80%
Speechiness
4%
Valence
5%

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ISRC
QZES92407132
Label
L-M Records/RCA Records