On June 10, 2020, the song "Neend Raaton Ki Uda Dete Hai" was released by Osman Mir. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Osman Mir, Traditional's "Hits Of Osman Mir PT-3" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Neend Raaton Ki Uda Dete Hai's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Neend Raaton Ki Uda Dete Hai by Osman Mir to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tapkara | Narendra Singh Negi, Anuradha Nirala | F♯ Minor | 3 | 11A | 134 BPM | ||
| Tera Tujhko Arpan Kya Lage Mera, Ka Kya Matlab Hai | Pandit Pradeep Ji Mishra | D♭ Major | 4 | 3B | 88 BPM | ||
| Rafta Rafta Woh Mere - Live | Anup Jalota | D Major | 6 | 10B | 143 BPM | ||
| Awadh Mein Aaye Hain Shri Ram | Ankita Bramhe | C Minor | 3 | 5A | 118 BPM | ||
| Sansar Ke Logon Se Asha Na Kiya Karna | Rajeev Singh | E Major | 7 | 12B | 167 BPM | ||
| Sunder Angna Baithi | Amir Khan | B Major | 3 | 1B | 70 BPM | ||
| Tera Ram Jee Karenge Beda Paar | Dhiraj Kant | E Minor | 8 | 9A | 92 BPM | ||
| Chitrakut Sab Din | Samir Date, Dipalee Date | F Minor | 5 | 4A | 89 BPM | ||
| Natraj Stuti | Osman Mir | F Minor | 4 | 4A | 76 BPM | ||
| Mat Karna Fikari Mana - Original | Jog Bharti | D Major | 6 | 10B | 114 BPM | ||
| Raat Shyam Sapne Me Aaye | The Bundeli Artists | B Minor | 7 | 10A | 100 BPM | ||
| Ravan Hatha - Lahriyo Dhun | Kohinoor Langa | F Minor | 8 | 4A | 106 BPM | ||
| Tum Yahin Paas Mein | Asha Bhosle, Roop Kumar Rathod | B Major | 4 | 1B | 120 BPM | ||
| Kutta Kha Rahe Doodh Jalebi | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Roshan | Mehtab Ali Niazi | D Minor | 5 | 7A | 170 BPM | ||
| Hungama Hai Kyun | Ghulam Ali | F Minor | 5 | 4A | 111 BPM | ||
| Gaay Bhoopali Sakal | Mahesh Kale | C Major | 5 | 8B | 98 BPM | ||
| Sanwariya Modo Aayo Re | Mukesh Mahadeva | A♭ Minor | 7 | 1A | 104 BPM | ||
| Bharoso dradh in charanan kero | Ayodhyadas Nimavat | A♭ Major | 4 | 4B | 79 BPM | ||
| Pandhariye Nagari | Diptesh Mistri | B♭ Major | 9 | 6B | 106 BPM | ||
| Barsan Lagi Badariya | Girija Devi, Pt. Ravi Kichlu | D Major | 6 | 10B | 123 BPM | ||
| Do Naina Sarkar Ke Katile Hai Katar Se | Devi Chitralekhaji | D♭ Minor | 5 | 12A | 83 BPM | ||
| Danriya Aachho | Tanushree Roy Chowdhry, Anjana Bhattacharya, Rabindranath Tagore | D♭ Major | 1 | 3B | 83 BPM | ||
| Shri Mahakali Avahanam | Anandita Basu, Rhitom Sarkar, Bappa Chatterjee, Joy Nandi, Soumojyoti Ghosh | B♭ Minor | 6 | 3A | 170 BPM | ||
| Achyutam Keshavam Ram Narayanam - Kaun Kehte Hain | Sneha Wagh | B♭ Major | 4 | 6B | 90 BPM |