"Denouement" by O Yuki Conjugate had its release date on 1984. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Scene in Mirage". In this album, this song's track order is #13. In terms of popularity, Denouement is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Denouement by O Yuki Conjugate having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let the Flow Begin | Ocean Moon | D Minor | 4 | 7A | 59 BPM | ||
| The End of New Beginnings | 23degrees | F♯ Minor | 2 | 11A | 113 BPM | ||
| Edwardian Roadmender | The Black Dog | A Minor | 3 | 8A | 82 BPM | ||
| Anomic | O Yuki Conjugate | F Major | 1 | 7B | 64 BPM | ||
| Little Star | Michel Banabila | F♯ Minor | 7 | 11A | 125 BPM | ||
| Denden | SUGAI KEN | A♭ Major | 3 | 4B | 201 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| Crystal Waves II | David Casper | A Major | 0 | 11B | 68 BPM | ||
| AMBHAS | Alio Die, Amelia Cuni | C Major | 5 | 8B | 120 BPM | ||
| Rientro In Alona | XIII | A♭ Minor | 3 | 1A | 86 BPM | ||
| Artidea - Ambient Mix | Nikosf. | E Minor | 0 | 9A | 118 BPM | ||
| Woodland Encounter | Patricia Wolf | E Minor | 9 | 9A | 144 BPM | ||
| Last Day | Lord Of The Isles, Ellen Renton | E Minor | 1 | 9A | 173 BPM | ||
| Left Hand Society | Philipp Otterbach | C Major | 1 | 8B | 75 BPM | ||
| Para Que Pasen Las Termitas | Orquesta de las Nubes | B Minor | 1 | 10A | 93 BPM | ||
| Chapter VI The Familiar Lie | GODIEAM | F Minor | 2 | 4A | 116 BPM | ||
| Larvae | Golden Brown | G Major | 2 | 9B | 180 BPM | ||
| Trains | Mikey Young | F Minor | 1 | 4A | 100 BPM | ||
| The Reminder of Long Ago | Joanna Brouk | D Major | 0 | 10B | 66 BPM | ||
| Dream VI | Bartosz Kruczyński | F♯ Minor | 2 | 11A | 178 BPM | ||
| Lost | H.Takahashi | D♭ Major | 0 | 3B | 180 BPM | ||
| Sirens Lost | The Nabichi Theory | F Major | 6 | 7B | 70 BPM | ||
| Beach Arriving | Duval Timothy, CJ Mirra | B Major | 0 | 1B | 72 BPM | ||
| Tanabe Sea | The Kyoto Connection | G Major | 9 | 9B | 160 BPM | ||
| Brain Tuner | Binaural Dreams | B Major | 0 | 1B | 72 BPM |