Pramod Tripathi's ' "Bholenath Ki Barat" was released on its scheduled release date, July 17, 2024. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. Because this song is the only song in Bholenath Ki Barat and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bholenath Ki Barat's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bholenath Ki Barat by Pramod Tripathi is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaal Raat Ne Sapno Aayo | Sanju Sharma | A♭ Major | 3 | 4B | 128 BPM | ||
| Chunni 2 | Mani Ladla | F♯ Minor | 9 | 11A | 92 BPM | ||
| Shivaay | Pramod Tripathi | D♭ Major | 5 | 3B | 124 BPM | ||
| Shyam Gali Aa Jana | Bhanwar Ali | C Major | 9 | 8B | 127 BPM | ||
| Agar Nath Dekhoge Avgun | Prakash Gandhi | B Major | 7 | 1B | 136 BPM | ||
| Ujjain Ke Raja Kabhi Kirpa Najariya - Hindi | Kishan Bhagat | D Major | 8 | 10B | 102 BPM | ||
| Muskaan Teri Baba | Pramod Tripathi | E♭ Major | 6 | 5B | 95 BPM | ||
| Raja Bhaiya | Pramod Tripathi | B♭ Minor | 8 | 3A | 105 BPM | ||
| Jap Le Bhole Ka Tu Naam | Kishan Bhagat | B♭ Major | 7 | 6B | 115 BPM | ||
| Kirtan Ki Hai Raat | Kanhiya Mittal | A♭ Major | 7 | 4B | 140 BPM | ||
| Radha Rani Ke Charan | Pramod Tripathi | G Major | 6 | 9B | 90 BPM | ||
| Halka Mee Na Levu Sanvariya Seth Thari Maya Ne | Gokul Sharma | B♭ Minor | 10 | 3A | 140 BPM | ||
| Mahakal Damru Wala | Sunny Albela | E Major | 6 | 12B | 90 BPM | ||
| Mahakal ko japne wala | Bittu maharaj | F Major | 9 | 7B | 150 BPM | ||
| Ram Aayenge (feat. Nandika Chhanga) | Nandlal Chhanga, Nandika Chhanga | G Major | 5 | 9B | 100 BPM | ||
| Sanware Tu Vada Kar - Shyam Bhajan | Sheetal Pandey | C Major | 6 | 8B | 90 BPM | ||
| Baans Ki Basuriya | Vishnupriya Avi Ji | D Major | 8 | 10B | 83 BPM | ||
| Sansar Ke Bandhan Aaj | Sadhvi Purnima Ji | B♭ Minor | 9 | 3A | 88 BPM | ||
| Jab Girte Hue Maine Tera Naam Liya Hai | Gaurav Krishna Goswami | E Minor | 9 | 9A | 150 BPM | ||
| SETH TO SANWARIYO | Bhagwat Suthar | C Major | 8 | 8B | 150 BPM | ||
| Teri Mand Mand Muskaniya Pe | Nandlal Chhanga | F♯ Major | 9 | 2B | 89 BPM | ||
| Mere Giniyo Na Apradh | Dhruv Sharma, Swarna Shri | A Major | 1 | 11B | 82 BPM | ||
| Ghota | Bhanwar Ali | A Major | 6 | 11B | 93 BPM | ||
| Shyam Ka Rang Chad Gaya | Pramod Tripathi, Aadesh Shrivastava | D♭ Major | 6 | 3B | 82 BPM | ||
| Hazari Likhwata Hu Har Gyaras Mein | Sanjay Mittal | G Minor | 8 | 6A | 80 BPM |