Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh's 'Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane)' had a release date set for September 1, 2002. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Catch You | Deep Purple | D Major | 9 | 10B | 82 BPM | ||
| Fairest Isle | Henry Purcell, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski | E Minor | 2 | 9A | 85 BPM | ||
| Satie: Parade: Prestidigitateur chinois | Erik Satie, Gautier Capuçon, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
| Hairless Heart - 2007 Stereo Mix | Genesis | B♭ Major | 4 | 6B | 121 BPM | ||
| Cantata, BWV 150: Nach dir, Herr, verlanget mich (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 89 BPM | ||
| Two of Us | Roger Hodgson | A Major | 6 | 11B | 128 BPM | ||
| II. Adagio | Michael Berkeley, Neeme Järvi, Royal Scottish National Orchestra | F Major | 0 | 7B | 89 BPM | ||
| The Circle of St. Giles | John Wetton | A♭ Major | 0 | 4B | 120 BPM | ||
| Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
| A Single Spark - Orchestral | David Gilmour | C Major | 2 | 8B | 114 BPM | ||
| Undertow - 2007 Remaster | Genesis | A Major | 4 | 11B | 85 BPM | ||
| Vera / Bring The Boys Back Home | Josh Stone | G Major | 0 | 9B | 76 BPM | ||
| Love Is the Light - Live in London 2023 | Big Big Train | D Major | 4 | 10B | 125 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: I. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 127 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| We Can’t See It, But It’s There | Pat Metheny | A Minor | 0 | 8A | 76 BPM | ||
| Misty | Quatuor Ébène | F Minor | 1 | 4A | 81 BPM | ||
| Say Goodbye | Yogi Lang | E Minor | 5 | 9A | 85 BPM | ||
| Low Light | Peter Gabriel | A♭ Major | 1 | 4B | 78 BPM | ||
| Baa Baa Black Sheep, Act III Scene 4: Return. Punch! Punch! My poor boy (Mother, Punch) | Michael Berkeley, Paul Daniel, English Northern Philharmonia, Malcolm Lorimer, Eileen Hulse | N/A | N/A | N/A | 0 BPM | ||
| Chi Mai | Eric Vloeimans, Jörg Brinkmann | G Minor | 1 | 6A | 78 BPM | ||
| Turangalîla-Symphonie: V. Joie du sang des étoiles | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | ||
| By This River (Arr. Badzura) | Brian Eno, Roedelius, Moebius, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | G Minor | 1 | 6A | 85 BPM | ||
| Tunnel 13 | Mark Knopfler | B Minor | 2 | 10A | 78 BPM |