"Jazz Club Improv (feat. Antoine Binant & Julien Ranouil)" by Sound For Production, Julien Ranouil, Antoine Binant had its release date on July 4, 2015. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 15 in Flavor Of Jazz by Sound For Production. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Jazz Club Improv (feat. Antoine Binant & Julien Ranouil) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Jazz Club Improv (feat. Antoine Binant & Julien Ranouil) by Sound For Production, Julien Ranouil, Antoine Binant is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chainsaw Man Soundtrack: Makima Theme - Epic Version | Kensei Music | D♭ Major | 4 | 3B | 75 BPM | ||
| Rumbi Factory | Pascal Michael Stiefel, Cameron 'Caero' Munoz | D Minor | 2 | 7A | 180 BPM | ||
| End Of The Road (feat. Antoine Binant & Yutaka Nakamura) | Sound For Production, Antoine Binant, Yutaka Nakamura | D Minor | 0 | 7A | 104 BPM | ||
| Brisant | Uviris | A Minor | 1 | 8A | 133 BPM | ||
| 2359 | Gaspar Claus | A Minor | 6 | 8A | 130 BPM | ||
| No Glory in Killing | Soundscape | C Minor | 2 | 5A | 89 BPM | ||
| Ambitionz Az A Ridah - Medieval Bardcore Version | Beedle The Bardcore | B♭ Major | 6 | 6B | 174 BPM | ||
| Levanteria (feat. Antoine Binant & Francis Zgorski) | Sound For Production, Antoine Binant, Francis Zgorski | B♭ Major | 10 | 6B | 195 BPM | ||
| Ezio in Florence | Jesper Kyd, Assassin's Creed | D Major | 3 | 10B | 117 BPM | ||
| Gamelan in New World | Redafs | G Major | 3 | 9B | 110 BPM | ||
| Autumn Colours (feat. Antoine Binant & Yutaka Nakamura) | Sound For Production, Antoine Binant, Yutaka Nakamura | D♭ Major | 9 | 3B | 75 BPM | ||
| Caer Al Vacio | Falsas Alarmas | C Minor | 1 | 5A | 100 BPM | ||
| In the end, It's still you | Floup | G Minor | 3 | 6A | 130 BPM | ||
| あきらめの法廷 | 岩垂徳行 | F Minor | 6 | 4A | 144 BPM | ||
| White Bird - partⅡ | PROJECT ACES, Bandai Namco Game Music | D Minor | 3 | 7A | 82 BPM | ||
| SUBJECT 007 | (K)NoW_NAME | E Minor | 10 | 9A | 125 BPM | ||
| Un sicote | LuzCósmica | G Major | 4 | 9B | 133 BPM | ||
| In All Its Splendor | Joris de Man | A♭ Major | 3 | 4B | 160 BPM | ||
| Achenar's Theme – Channelwood Age | Robyn Miller | B♭ Major | 2 | 6B | 120 BPM | ||
| Hitman | Kevin MacLeod | C Major | 5 | 8B | 75 BPM | ||
| the end of the world with you | 小山絵里奈 | G Major | 1 | 9B | 140 BPM | ||
| La Carte | Martin Madrazo, Martin Lamo | F♯ Major | 0 | 2B | 43 BPM | ||
| Into the Breach | Ben Prunty | A Minor | 4 | 8A | 138 BPM | ||
| Inside Pipe Sixty Six | Wuthering Waves, jkinss | B Minor | 4 | 10A | 120 BPM | ||
| For the Greater Good | Pawel Blaszczak | F Minor | 4 | 4A | 160 BPM |