"The Shepherd" by Ruth Barrett, Ruskin Williamson had its release date on August 29, 2025. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The Terminal List: Dark Wolf (Prime Video Original Series Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The Shepherd is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Shepherd by Ruth Barrett, Ruskin Williamson having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cholera | Ruth Barrett, Jon Wygens | D♭ Major | 4 | 3B | 100 BPM | ||
| Mary Ditches Her Doll | Dario Marianelli | B♭ Major | 1 | 6B | 69 BPM | ||
| Beginnings | Debbie Wiseman | D Major | 1 | 10B | 129 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Correction | Ian Arber, Dave Rowntree | E Minor | 1 | 9A | 155 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Where Lost Boys Go | Dan Romer, Benh Zeitlin | A Major | 1 | 11B | 140 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| Fairy Circles | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | B♭ Major | 4 | 6B | 83 BPM | ||
| The Royal Birth | Ruth Barrett | F Major | 1 | 7B | 87 BPM | ||
| The Smallest Compliment | Debbie Wiseman | D Minor | 0 | 7A | 117 BPM | ||
| You Cannot Imagine His Anguish | Steven Price | A Minor | 1 | 8A | 177 BPM | ||
| CASA DE CAMPO | PIRATA RIO | D Major | 3 | 10B | 120 BPM | ||
| Finale | Max Richter | D Major | 3 | 10B | 80 BPM | ||
| Banquet Hall of Eternity | Thomas Newman | G Minor | 0 | 6A | 81 BPM | ||
| Fall Of The Mighty | Johan Söderqvist | B Minor | 1 | 10A | 77 BPM | ||
| Mirrors | Martin Phipps | E♭ Minor | 2 | 2A | 68 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| Travelling to Marly | Peter Gregson | B Minor | 0 | 10A | 76 BPM | ||
| Babies | Ruth Barrett | A Minor | 1 | 8A | 71 BPM | ||
| The Big Relief | Kevin Smuts | A Minor | 1 | 8A | 97 BPM | ||
| Thunderclouds | David Michael Tardy, Amadea Music Productions | A Minor | 2 | 8A | 99 BPM | ||
| Opening Titles | Michael Brook | A Major | 1 | 11B | 175 BPM |